With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
多一颗星给达叔。还有能还原当时的场景，也算是不容易了。
电影本身剧情还可以呀，没有完全照搬原作蹭情怀，反而嫁接在原有剧情背景下，谱写了一个新的故事，挺好的！
都2022了，还再蹭《大话西游》，哎！创作啊！创不出了。说着一些大话西游的台词，再看看那几位老演员，2022了，我们倒退的不止是电影。
给达叔面子。男主演技是可以的没想到会敢接这剧。。女主还是很漂亮的。
导演有几个情怀玩的不错，看到那些场景浑身鸡皮疙瘩，剧本也过得去如果拍成国漫可能这个系列还有救，现在大话西游除了前两部是金箍棒后面所有都是擀面杖。
观音是 ATM 里的红外报警机么？
男主长的像绫野刚，女主长的像张茜，导致我看的过程各种出戏（对不起，没有不尊重演员的意思，是我的问题【捂脸】）
达叔最后一部影片，看完也只有达叔的戏份有印象——他又捡漏了至尊宝丢掉的姻缘。只能说不雷，有些小新思但又没展开，大部分在重复原作，最失败的是就抽出爱情戏来讲，原作的紫霞不仅是爱情，更是小我与众生的取舍，况且这部的爱情戏连我都感动不了，怎么就能让青霞牺牲元神去成全？情愿看白晶晶的缘起，这样至尊宝身边还能有那些大小当家，那才是西游的精髓。
味道出来了，但是有点赶，毕竟只有78分钟。
粗看之下，整体的感觉高于网络电影，但是低于大制作电影。特效不算五毛，但是感觉很尬，就是那种游戏cg的感觉，不搭。
好像有个白蛇缘起吧，不是动画片，是个真人版的，也是讲的白蛇前世，这个感觉不如那个
两颗星给达叔，相信大家都是为了达叔吧。别的不想多说，无语子。不要玷污我的经典！球球了！
中规中矩，毕竟大话西游的剧情在那里呢，想要拍出新意很难，想要好评就不可能了。
男主女主还行吧，猴子扮相真的不行，粘多点毛吧，整张脸都是鼻子了。还有达叔❤️。最后一段的紫霞背影，有电影的感觉了。歌曲和旧人和旧物，确实杀器。
算是及格吧，笑点一般般，情节逻辑有些地方也尬尬的
不看以前星爷版，这个还是挺有感觉的
这部竟然没被推出来，吴孟达的最后一部，冲着他开的，高于预期，终于把之前的疑惑给圆了，虽然男主的猴子扮相太尴尬，石猴机器人无语。其他的设计都挺天衣无缝的。喜欢紫霞那句：“我想让你变成我喜欢的样子，但是现在的你我已离不开。”
一个影视作品太成功，成为了20几年也打不破的套路，有时候也不是好事。
真的已经比刘镇伟后面的那些好太多了，感觉周星驰看了也会喜欢里面的一些东西。
一部看到名字就会想吐槽但是被up主推荐的网络电影，好喜欢这版编剧（看剪辑就哭了怎么回事）节奏有点太快了想看好好剪辑的加长版！为什么分这么低！
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