Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
按摩那一段真的有趣,确实有点暧昧,难怪老婆来了句:如果你像对待你的肉一样对待我......
一镜到底太考验演员的演技和导演的调度能力了
不如电视剧,有点无聊,当作是两个可爱男孩爱情故事的延续吧。
#bfi 时间久了就感觉自己也和他们一起穿梭于厨房和就餐区之间
Every characters in this movie looks like going through a hard time. But this is the way life is.
让人想起人肉叉烧包,动物世界那段经典,食肉动物猎杀食草动物。
很厲害演員很棒幾個片段很棒但太沒梗了綁手綁腳, 主角設定實在讓人不想理耶,這種餐廳的形式也很讓人反感東西都不好吃了呀,堅果過敏太昭然若揭了吧就想不出其他表達嗎
就为了一镜到底而制造了小空间里的一系列冲突,有点太细碎了
虽然做着变态的事,但是却觉剧情倒是合理自然,这大概归功于剧情中几个情绪点找的非常接地气,以至于你甚至觉得放过女婿简直逆天下之大不违。
Boiling//后厨确实是一个非常intense的场所,不需要点火即可加热。
光线、衣着、环境都浪漫得恰到好处,
我认为这部剧始终的信息是,男孩们的爱情里,即刻即永恒。外在压力压缩了我对你爱意的表达空间,但是我仍然要尽全力和你心意交融,所以相伴的每一刻我都是全部的我自己,放松而坦荡。
[Safety first before you thirst.]
这部电影可作为每年都会出现的电影市场中流砥柱式电影 成熟的技法 节奏缓急得当的剧本 优秀的表演 没有冲奖的野心 就是讲好一个故事 影片用一镜到底来表现主厨厨房后厨糟心的一晚 厨房压力溢出屏幕 很难不把这类封闭空间多人物关系 阶级明确的叙事引深为编导所处社会的影射 事实上本片如果仅是厨房工作呈现 只能算一部比后厨真人秀稍优秀的作品 可加入了人物关系和阶层解读 编导的表达就出来了 电影中的餐厅明确分为上中下三层 三阶层表面在主厨领导下协同工作 可当顾客压力兵临 每个阶层都出现问题 底层消极 高层傲慢 而本应作为媒介的中层 一直输出无效情绪 最终酿成客人送医的全盘皆输 主厨失格更加速了进程 全片引入的多族裔演员也服务此表达 影片中段以后有矛盾失焦的问题 这与特别强调临场感不无关系 压力被个人闲笔分摊 另外也缺乏真正的反思打点
yyds入坑不亏。两个baby演技太好了,导演编剧也太会了。期待下次再见
绝对的好看!没想到菲腐可以拍的如此之好….演员演技没得说。剧情也好,配乐更是丝丝入扣
看一个饭店的运行看得比啥都紧张,拍的好,演的好,真实不做作。做主厨太难了。这个片子是真一镜到底,没有特效和战术转接。
素食主义=食草动物,肉食主义=食肉动物,如果能够多一点隐喻就好了
如果不要这个白酒兑毒的drama ending可能更好?14桌的种族歧视、7桌的过敏,都作为线索把餐厅前桌后厨的矛盾吊了出来,一镜到底但非常丰富紧张。chef朋友的那桌没太明白起到了什么作用,gay男服务员也有点虎头蛇尾。
不懂为什么,这床戏看得我有一种,被尊重的感觉,我看的电影不多,这种双方都展现出占有和付出,又不情色的make love,可能是我一直说不明白又最向往的了。 我喜欢两个人陪伴的尺度,不是霸道地进入而是请求,就算是我对你的爱,也在请求你的接受,那种分寸感真的很微妙又很美好。 海边那场戏,就是少年的甜甜的爱,和泰兰德海边那种充满暧昧和性张力不同的,是直白又依恋的依靠,👨🏻🦳❤了 喜欢里面的所有人
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