学习如何在日益拥挤的星球上生存也许是我们人类的终极挑战，但有一个地方，拥有的世界人口六分之一印度，人们却特别适应生活在这么拥挤的土地上。这个系列高清纪录片将带我们进入印度最密集的地区加尔各答和孟买，了解这里人们的生活现状及生存压力。
BBC 2012年播出，用3集记录印度的底层人如何在人多地少的环境中工作。印度现在有人口 12亿，占世界的六分之一，每个家庭都有很多孩子，对于穷人来讲，这可是一个很大的负担，看看印度人是如何在他们的国土上为了生活奋斗的。
Learning how to survive on an increasingly crowded planet is probably our ultimate challenge. But there is one place, home to over a sixth of the world's population, which is already making a good shot at adapting: welcome to India. This observational series casts aside the usual preconceptions about the sub-continent, and lets a few of India's 1.2 billion show how their world really works.
With astonishing access into the densest districts of Kolkata and Mumbai, it celebrates the impressive resourcefulness, resilience and absolute pragmatism of those living and working there, and reveals the psyche needed to get ahead in the biggest of crowds.
Part 1.
This episode follows two main characters as they employ all their ingenuity to carve out a home. With more people moving to cities in India than anywhere else on earth, securing that place you can call home is vital for nurturing your family's future.
Part 2.
Johora started out as a rag-picker, but through building a bottle recycling business on a railway embankment, she has big ambitions for her family of seven kids. And it is not just small waste. Kanye uses a blowtorch to cut up ships discarded by the rest of the world, helping satisfy India's thirst for steel. And Ashik buys up beef fat from the abattoir, and proudly renders it down to make tallow. It looks disgusting, even before he is plagued by a maggot infestation. But this thrifty use of 'waste' may well be destined for your soap or cosmetics.
Part 3.
With India destined to become the most populous nation on earth by 2026, you have got to be highly tactical in your search for a better life. It is not just about you and your dreams today - it is about the family over generations to come. Prakash and Mangesh are brothers in their early twenties from an illegal settlement surrounded by the buzz of downtown Mumbai. Prakash is deckhand on a yacht while striving to realise his dream and launch a Bollywood career. But his family make it clear his sole purpose is to earn enough to fund in their joint future: his brother Mangesh's course in software engineering. Swapan, a merchant in a hectic fish market, works so hard for his family's future that his wife knows he is ruining his health. And Sujit, who crafts disposable clay tea cups in Kolkata, hardly dares dream of seeing his family hundreds of miles away.
纪念松竹100年的片子，从两男一女的爱情故事为小切口讲述了几个人为电影发生一切的故事。虽然中间很多细节并没有讲明白但总的来说完整度还好。电影的元素贯穿始终，到了最后还有关于现在疫情下电影院的部分…电影跨越时空的特质在这部电影里放大，变成了回忆和现在的链接。松竹当年也是靠家庭剧白手起家，后来革新出和其它类型结合的喜剧，虽然这种贩卖电影情怀的电影已经很多，但最后太有新意和感觉了。这不仅是一封给电影的情书，还是给回忆和观众的一封信…在电影中死去
三星半。大荧幕还是容易感动，女儿读信的时候看哭了，但故事本身三星吧。现在反刍了一下，最近很需要这种情怀，人有时候要放下，有时候又需要一些傻乎乎的坚持。
百年松竹何以屹立不倒？正如自顾自降落的太阳，奔腾不息的白色浪潮，一个个导演组下养活着千千万万的成员。山田监督作为小津忠实拥趸甚至不惜部分完美复刻《东京物语》，也夹杂着太多年轻时的意气风发与无奈抱憾。电影固然为宏大事物之贯彻始终，一个小家庭还是格局太小，总算涉及到疫情还是一笔带过，实在是遗憾。
影人的自High(?)與對底片時代的情懷… '電影'很偉大…但也沒那麼'偉大'… (2021TGHFF)
太好看啦！！！真的很绝，上次来天幕看的是怒，这次的观感也完全不输～又哭又笑的感觉太真实，眼泪刚刚落下，马上破梗让你笑出声。每个人物都好可爱，但为什么美女总是爱苦痛呢～洋次郎多好呀～真是精彩啊～
放映師說鏡頭與鏡頭之間駐有神明，看到一幕直接噴淚。
看到一半怒弃。原节子就是原节子，四海八荒千秋万代也只有一个原节子，ok？凭什么这是松竹100年献礼...家庭温情喜剧算了...老年部分男主极其不负责任软弱令人无语，年轻部分整个故事编的很烂，演技很差，每个人像提线木偶一样尴尬。迷影片中的低劣版。当然，问题也在我，如果我根本不知道什么小津，是否能当一个普通的家庭片看呢？不知道，很难有这种心情。
陈词滥调也足够感染俺，因为是山田洋次嘛，他借片厂忆旧在渐渐向诸位告别。
神也無法搶救的無力感 打咩！打咩！！
女主的笑容像海风一样带着夏日阳光。
老式但朴素的愿望。结尾。开罗紫玫瑰和小津捏他。几次老年现实切年轻回忆可太犯规了。“我要给他幸福！”“谁TM管你们说什么台词，老子要拍海浪！”没想到听岩代太郎的许愿实现在这部上了…@bjiff
4.5
导演视角的迷影... anyway咋都活得下去，活得久总能开心～开心看电影看到挂掉！
昭和味的北川景子很赞，开电影院的洋次郎真的朴实。结尾对东京物语的致敬，热爱电影的男人最后倒在电影院，也算是适合他的归宿。
熱淚盈眶。懷念在美國和日本時去的那些art house cinema。
每一个镜头之间，都有神灵寄宿其间，这就是电影之神。
关于电影，关于爱情，也关于人生，但这部电影始终给我一种什么都想要，但什么都是半途而废的感觉。反而更喜欢年轻时候的剧情，虽然年轻时候的故事的拍摄方法也不新鲜。
关于大船制片所，古书堂第一部也有提到过。
真是老一辈电影人的表达方式，想想《福尔摩斯二世》距今都快一百年了，今天流媒体崛起影院衰落，可能以后的电影观众都很少会有影院/银幕情结了。考虑到山田洋次的年纪，不忍再用“过时”一类的说法，更何况他也许只是想了却自己的心愿。而新一代的电影人则必须找到一条新的路。【6】
圆山乡是一个因嗜赌成性债台高筑的老渣男，其无赖恶劣的生活习性不断给家人造成麻烦。面对登门骚扰的黑金债主，他的妻子淑子、女儿圆山步终于忍无可忍，决定没收其养老金银行卡，禁止他赌博，除此以外，约束他的另一个方法就是满足他看电影的喜好，而观影也是圆山乡除赌博之外唯一的爱好
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