Alex de Renzy (FEMMES DE SADE, PRETTY PEACHES) was one of the greatest directors of adult films ever, his career starting in the late 60's and preceeding well into the 90's. So saying that BABY FACE, stands as his crowning achievement is no small praise. This ranks as one skinflick that truly has it all, a complete storyline, fine production, and a couple of decent acting performances and some of the hottest sex scenes ever assembled in a single movie.
Big, lumbering Dan Roberts stars as the hapless construction worker who has to go into hiding following his seduction of underage but willing Priscilla (Lyn Cuddles Malone) which incurs the wrath of her religious fanatic of a man. After a near-fatal accident leaves him unconsciously drifting in the bay, he is saved by fan favorites Amber Hunt (FIONA ON FIRE) and Linda Wong (SWEET CAKES) who clean him up and then some. Hunt comes up with the brilliant idea of taking him to the Training Camp, a brothel catering exclusively for rich women and run by her aunt, affectionately referred to as the Champ.
This fancy cathouse provides the perfect backdrop for the movie's myriad sexual situations, nearly all of them handled with great style and enthusiasm by cast and filmmaker alike, shot through with a wickedly subversive humor. Standout scenes include gentle giant Roberts tender initiation of the eager Malone, their contrast in size providing an instant thrill all by itself, and the late great Kristine Heller taking on pretty much all the guys present in what has to stand as the single greatest gang bang sequence ever committed to film or video.
实在好喜欢。青春期的躁动像海浪一样在夜晚舒缓地涌动，隐喻不清的镜头好像镌刻了很多共同的情绪。非常清澈，非常真诚，也非常聪明，很多戏都很吸引人，迷死我了
“我已经尽力了，我不认为自己做的很差。”
伟大的意大利______万岁（横线上随便填啥都能得分）！
救你一命的马拉多纳上帝之手，更是未来那不勒斯电影之星的推手。持续致敬仿效费里尼的索伦蒂诺，终于在自传式作品中拍出了心目中大师的样貌及青出于蓝的诚恳。
索伦蒂诺的圣三位一体：宗教、女人、电影 / 迪伦、费里尼、马拉多纳
动人，断魂
平淡生活。就是有点太~ ~ 平 ~ ~了。
威尼斯电影节主竞赛单元评审团大奖，个人第二部索伦蒂诺，风格和《绝美之城》差不多，内容又是另一个《罗马》或《阿玛柯德》，片名仍与马拉多纳有关，喜欢片头那个注脚，马拉多纳是这个星球上最伟大的球员。
致敬，马拉多纳以及费里尼，这次也许索伦蒂诺也在拍自己。
男孩变成男人，可能是一瞬间，可能是一辈子。
意大利人还能拍点别的不，除了性和烟酒、足球和费里尼，随身听和花衬衫。
这个无限接近费里尼了啊，但我喜欢的索伦蒂诺好像是他不费里尼的那部分……
真诚吗？倒像是层层包裹的漠然 不过你记得就好 @Hannover
绝不垮掉！忘记痛苦，拍电影要想点好玩的事！
和《罗马》《南方》一样，很私人的影像。那些丧失后的感伤，求而不得的失落，和青春时的我们一模一样。
断断续续的看了好几天，才看完。完全不喜欢。
绝不垮掉！忘记痛苦，拍电影要想点好玩的事！
展望过去同时也想让观众代入过去，但这私人么？人生中拍的每部电影不需要全部是绝对的诗意。大家都活得这么认真，有意思么？
些许闪光，后半段有点飘，但整体还挺讨喜。等网飞上线可可以再重温下些许片段。
这也是他交给影片中疑问的答案
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