New York pretentious Diana Sullivan is writing a series of articles on the theme of "family" for Cosmopolitan magazine. Primarily to keep an eye on her but also because of the personal connection, Diana invites her mid-teen daughter, Grace Sullivan, to accompany her on a trip to research the next in the series, dealing with their own family, most specifically a wing that lives deep in the backwaters of the Louisiana bayou, which has been largely overtaken by oil companies of late. They are most directly connected by brothers: Diana's grandfather Mike, and Joe, the patriarch of the Louisiana wing. Diana and Grace have never met their Louisiana relations, they in turn who do not even know that Diana and Grace exist. As difficult as it becomes, Diana and Grace are able to meet their Louisiana relations, led by Joe's widowed young wife, Ruth Sullivan, who acts as if Joe is still with them, who sees anything related to the city as suspect, and who rules her household with an iron fist to ...
还行吧，比较复古的西部牛仔，不是很精彩，故事还是不错的。
阴冷色调，暖色柔情，上次看类似的铁幕电影还是《残影余像》。剿杀风信子。。。看科普还是近几年反潮的趋势。
“做人不能什么都怕，尤其是害怕自由。”
男二真的好好看，以及真的磕到了这对，但结局太让人难过了😢
音乐好听，剧情紧凑，两个主演很养眼，果然，波兰常出帅哥。
清纯男大学生我好喜欢，不过eric在别墅卖感觉是个败笔，不在别墅也不影响前面他们相爱，就像是为了戏剧冲突而强行如此，也没有反转，反而与Eric人设冲突。就算eric是个局外人他们也可以有阻碍不是吗，毕竟当时的大环境就是最大的阻碍。最喜欢男主给妈妈道歉说欺骗了大家，男主妈妈说至少你没欺骗自己那里。
……
酒吧里男主的眼神有多胶着，审讯室里就有多躲闪。这两组镜头真好。
“人不能对一切感到恐惧，尤其是自由。”
有真实历史背景做支撑，拍摄精良。悬疑节奏刚刚好，感情线发展也令人信服。好片。
恐同即深柜大概是颠扑不破的永恒真理。看电影学历史。感谢导演搞了个开放式结尾。还有希望。
剧情索然无味，几乎每一分钟都是煎熬，即使有两段昏暗的果体船戏，中弃。
对人性的扼杀，就像80年代的波兰一样毫无生气，灰暗，寒冷。
男主审讯eric有几个性伴侣的时候，eric看着男主眼睛说最近只有一个🤣🤣 我天
故事还可以再复杂一点 增强一下一步步推理的线索节奏感 会更好
垃圾导演编排是非制造对立激化矛盾和不信任，这种垃圾导演才是同和异性恋最大的敌人。
我们不该害怕自由；“我很抱歉欺骗了所有人”，“但你至少没有欺骗自己”。节奏感很不错。
西部枪战片，讲述了一个你大爷还是你大爷的故事，不幸的是，这次大爷是Mr. 东郭。情节简单，但胜在美景如画，拓荒年代的美国口音几乎听不懂，彼时Sheriff 出身可能都是outlaws ，而后被招安，唯一的takeaway。
两倍速，我都不看不下去的电影
中规中矩，结局也emmm。
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