Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
开始挺搞笑啊，猛男一枪爆头，女主甩出小车和小车掉下悬崖时大笑之。然后，它就忘了怎么搞笑了。
比《神秘海域》好看N倍，Sandra和Channing配一脸！
嗯符合烂片出好歌的定律 就是说 一把年纪了都别这么为难自己了好不好
典型爆米花电影，算中规中矩吧，起码男主的屁股也增添了亮点。
太老套了 ，且俩人没有任何火花，浪费时间。
一星半。很流水线，很🍿，很没营养。但我的大男神和小男神同框的画面也太美了吧，像他妈做梦一样。皮特应该多演点喜剧，有病的帅哥才是王道。就像电影里的台词，你为什么如此英俊？钱老板真的好臀。
感觉最近看了几个大片套路都差不多。“红通”、“神海”，还有本片。之前有种说法叫“公式相声”，莫非现在好莱坞商业大片也要变成“算法电影”？桑德拉·布洛克的表演合格，钱老板欠佳。最惊艳、最惊喜也最惊吓的是皮特。桑德拉纵横好莱坞几十年。戏路变化非常大：动作片出道，爱情片中兴，喜剧片收尾~
烂片，同样是冒险片，比口碑一般的《神秘海域》还更烂，本片就一穷酸项目，靠演员阵容吸引眼球，内里都是低俗的老一套，嘴炮支撑，而且通篇没觉得多好笑，一本正经的胡说八道既视感，打着冒险夺宝的爱情向电影，两位男女主角也毫无火花，姨姨带侄子玩的戏码，过程智障，反派软趴，连结尾的冒险终点站都看得出的糊弄，也就布拉德皮特出现那段还有点意外入侵的惊喜度，其它一切平平无奇，好莱坞近几年真的过于偷懒，连类型片的复刻都难演出新花样，一幅死猪不怕开水烫的what ever态度，那评分就绝对不能客气。★
皮特的部分过于亮眼，拉高了观众期待值又突然退场，太不负责了！
搞笑冒险
“如果你吸食岛的生命，那么岛也会吸食你的……”
轻喜剧的套路, 几度让我笑出声的桥段, 迷人的主角, 皮特精彩的客串, this movie simply works.
姗姐在重复她的傻大妞人设，钱宁在重复他的性感舞男人设，蛋妞已经老到可以在好莱坞爆米花片里演英式反派了，下饭片儿一枚，怎样让钱宁露臀可能算唯一编剧花了心思的地方。我喜欢双人舞那段，钱宁演戏很一般，但他任何时候跳起舞来我都还是爱看的，他身体的律动感确实很自然舒服。皮特的出现毫无惊喜，还不如中途听到了浴血黑帮主题曲来得开心。
就是下班想放松下...前面还好，有皮特的戏份比较好玩，中间开始越来越无聊。。。勉强看完
确实很多地方的美式幽默，但是无奈对这种没太大感觉。全片靠各种硬汉颜值和身材撑戏！
跟《灰影人》一样，一流的卡司拍了三流的电影，故事太老套了，但钱也没少投。皮特客串五分钟是唯一的亮点。
要是没有皮特的那几分钟，真的难以及格。桑婆效应果然不容小觑，钱老板傻白甜意外的可爱。但这么个故事走向的东西放在2022年，真的是各方面的泛善可陈。
怎么可以这么无聊且难看。食之无味，弃之可惜。皮特那段加一星，其他的真无味。
三位主演演得奇尬无比，最正常的是客串的皮特，看的时候我一直在想导演是疯了吗？为什么现在的喜剧都要到装疯卖傻这种层次了？其次是翻译字幕真是可真的是小心翼翼，原本有些比较好笑的点，完全避开不讲出来，纯看字幕就更无趣了，能听懂还是有梗在的。（5/10）
男色时代！布拉德皮特长发飘飘魔力麦克时不时要露肉露屁股。爱情戏太尬了。
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