The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
日本片子总体节奏就是太磨叽,当然,你也可以说是为了细腻刻画,呵呵
为了宽叔给四星。单看宽叔五星。
有些类似《本杰明巴顿奇事》
郭小鲁——永远不变。
电影很平,但是28′左右有内田慈小姐出演诶,好久不见~
拍的太拖沓了,每个人都苦大仇深的,看着太累了
不过 片子很好 下回别拍了
灾后创伤可能真的一辈子都修复不了~~shanghai lockdown期间看这个片子更有感触
纯纯有大病的电影,在电影院度过的两小时我真的很迷惑
最后说一句,导演你真是想杀人,拍了132分钟?
电影探讨的问题很现实,很发人深省,演员也演得很好,只是节奏上显得拖沓。
砂糖不愧是平成俳优代表 喜剧搞笑轻松拿捏 动作打戏行云流水成漫改天花板 玛丽苏霸总的烂俗设定演成网红 现实主义题材这么考验演技的也都能驾驭 不得不说可塑性是真的强 可惜这么好演技放在这部有点浪费 剧情真不咋滴 没有拍出这种题材该有的震撼感 宽叔林遣都A太等一众演技派加持也没有加分 有点可惜
只可惜,略微出彩的只有音乐。
“那段清晰而又绵长的记忆,是我这辈子最快乐的时光”
主题是很有意思的。不同的人经历了地震,失去家人,每个人的命运也随着自己的选择而走上不同的路。
说细点吧,主角可真牛逼,我千禧年之后才知道啥是蛋挞,他80年代就吃到啦!
真是绕来绕去,日本犯罪片的老手法了,无趣。
喜欢的演员凑一块
“苏”
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