A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
公主和Linh之间的cp确定不磕起来？！！！
动作片《非凡公主》说真的，这真的是一部无脑动作爽片…剧情简单的根本不需要过脑子！看着超能打的公主一路的砍杀…真的是…挺爽的！当然还少不了公主的师傅…琳的精彩表现！不过，各种中世纪的冷兵器对决和盔甲…还有建在海边的城堡…也是为此片增色不少啊！总之，这部影片，看着动作戏爽就完事了，完全不需要过脑…还是挺不错的哦！
流水线产品，打击感轻飘飘的，花拳绣腿一般的套招，看得眼皮打架哈欠连天。
演员阵容很强大，很搞笑，故事虽然长了点，但是很好看
我好爱战斗公主哎❤师父也好帅气，弓箭只用来射杂兵好亏本，明明这么帅气。公主你随手就丢武器这个行为很要不得啊，分分钟死亡，还好是无双剧本。整部电影好有游戏感，什么时候开发个单机游戏呗。
5分。女版中世纪突袭，打打打杀杀杀，全靠动作戏推进，过关斩将，师父吴青芸真好看。
5分… 太好笑了，一个女的打小一百号人，算了，看个热闹吧就
非常好看，特效非常棒，感情线细腻！！欢迎大家tou条搜索(影视小布丁)的解说。
【镜头/画面/特效】：5.3
故事缺乏新意，男女主不错，笑点还是有的，有两个创意镜头个人非常喜欢。女主太飒了，一脚干翻一船炮。
比第一集搞笑多了，特效也花了大钱了，就是看着看着会觉得突然没意思，然后又高潮，这感觉怪怪的，李光洙果然搞笑哈哈哈哈
即使服化道再精细，特效再逼真，美帝这几十年来的青少年电影始终摆脱不了演技浮夸剧情弱智的标签
不知道的以为又是哪款游戏的真人大电影…怎么会有这么流水账的剧情…🙄️
冲着韩孝周的脸来的，在开头那句高丽一千年历史就绷不住了，然后当韩孝周出场的时候，南美泫雅风造型，懵了，原来这就是亚洲海盗？即便如此我还是忍了下去，看完了这个running man海盗主题大电影。李光洙，低配版狙击王乌索普，穿着乌索普cosplay服，大喊我是新的海贼王。很好！致敬海贼王！然后种种服化道不想说了，剧情没有什么剧情，特效，五毛钱特效，那段水下河的特效令人笑出声来。很好笑，韩孝周也拿出了比演韩剧更浮夸的演技，大概率是为了突出喜剧内核。但是对于不喜欢李光洙RM搞笑形式的观众来说，太多重复的李光洙式搞笑会让人烦。总之，如果你想欣赏韩孝周的美，去看电影版内在美；如果你喜欢看李光洙搞笑，去看RM；如果你喜欢看海盗与特效，去看加勒比海盗；如果你喜欢吴世勋，去看唱跳。远离此片，减少浪费时间。
女主光环，女主万岁！不需要剧情，开干就行了，打得敌方一片狼藉……
撕掉冗杂的长裙，脱去柔软的布鞋，套上护甲，换成皮靴，拿起宝剑。或许动作戏并不那么华丽有看点，打动我的是公主那颗不熄的战斗之心，使她在面对众多高大壮硕的男性时，在屡屡增添伤口时，在捆绑着落水的绝境中一次次险中求生。这也使得好像公主不死完全是靠自己是主角似的。但这并不是槽点，其他拯救人类的英雄电影敢说他们没加持一点主角光环？我认为这部电影最好的是，它通过公主觉醒后的厮杀告诉我们，女性被华丽的衣饰、被传统的观念、被女性身份所束缚所定义，而女性是可以摆脱这些可以战斗的。但也到此为止了，毕竟这部电影本质就是一部普通动作片。
不提剧情, 就几段简短的打斗也是碾压国内慢镜头
这可能是今年目前动作戏最好的动作片了，虽然达不到让人感到很爽快，但打发时间还是可以的。
“我从来都没有见过很能打的公主，我见过的都是温柔的公主”看这片的时候我娃凑过来说，大概这就是这种女性复仇爽片的意义吧。金妹从童星已经成长为打女女主了，DC和前邦女郎这对反派黑色二人组姐妹感也太强了哈哈哈。
帅死了普通的王子复仇故事全部换成了公主版本。拳头对拳头，剑对剑，看了两遍。
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