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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
制作一般吧，但是解开了蠢太对西条这么痴迷的原因。
磕上头之后完全可以忽略剧情不行、舞蹈太弱这些选项。
他们好甜！准太真的是个没有安全感的孩子啊，而且真的是天使啊，人真的好；倒是在高人先生身上看到了自己的影子，典型的把心意藏着捂着的那类人啊……制作人和作曲家的戏份那么少吗！这对真的很顶啊！片中展现的丰富的西班牙文化也让人非常神往呐……
剧情方面在动车上快看睡着了，但是懂得都懂……还有歌好听
救命，真的会被这个剧场版温暖死甜死。
BJIFF2021 这其实是一部精神情色片。人类见着洞就想要一直往深处钻。有天然精神快感。
和剧版差距太大，过多尴尬的跳舞桥段和一群长的像日本人的西班牙群景。
自然生息主宰，语言交流近乎无意义，沉默老者是山或土地的“化身”，当外界力量入侵到腹地，生命长逝，大雾笼罩。牛嗅照片想起 Agnès Varda《尤利西斯》中山羊咬照片，尤其是其中穿插的重大真实事件与本片中洞穴里出现的肯尼迪、尼克松、索菲亚·罗兰照片异曲同工。
BJIFF2021 这其实是一部精神情色片。人类见着洞就想要一直往深处钻。有天然精神快感。
跳弗朗明戈那段太棒了！气氛烘托到极致，情感大爆发让人直呼精彩，当然跳完后巷子里那段更棒…就是高人强行去西班牙又不告诉对方原因这种感情线怪别扭的，你们小情侣真是的啦！看到他们真正心意相通时还是很感动。
“Mi tesoro”我的宝物，他们通过一次旅行，更加坚定地走进了对方的心里，哈哈，他是他的宝物，这个称呼好美……
祖父我的了（不）💃真不是谁都能做好的，略尬...开车了，没完全开😠 那对副cp每次就尿个几滴也是够了，能单独出个剧场版好好讲讲吗！！
🆘我好想看副线cp啊！制片人那对啊看着好香啊！！！被结尾的戒指感动到了一下下😢（顺便想看舞台。
依然是甜度爆表 但是船戏差点意思 都放去跳舞和表白了
3.5分，故事简单又完整，可能是乍换画风(怎么没有了阴影线我还不适应了……不过几个重做的动画镜头肉眼可见精致升级)，个人代入有点慢了，好在到了半小时后渐入佳境，最后有被感动。扣分在于1背景在西班牙，但我仍然被日系语感打败了，有点子尴尬，怎么回事；2舞蹈的分镜为什么不做出来！冲击感呀冲击感！光靠观众的表情和踏踏的音效脑补，效果真的有打折扣。
2021北影节最后一部。和第一部都在学院南路深影巨幕厅。
叙述设计颇有意思的 老人放牧与探险队洞穴考察 两条线索以最基础的平行剪辑交替 从看似无关到中段山洞交汇 之后随着进入洞穴的深度老人生病越来越重交替剪辑间隙越来越短直至到达洞穴尽头老人也最终咽气。但由于把探险引入自然影像也带了一个前作没有的问题：拍探险时镜头能先于人物吗？这个问题可以说是致命的 每每先于行动进入洞穴更深处的摄影机消灭了探险的所有意义 而这与作者试图让摄影机作为客观之眼的企图完全冲突 这一悖论恰恰指出了客观摄影机这个构想的虚妄。不过 在教堂休整睡在受难jesu身边的镜头堪比四次里面突然进村捉jesu的罗马士兵 有如神降。还有就是那些大远景真的很棒！踢球和牛闻画也是神来之笔
叙事由地质纹理所造就，不断深入，历史的再造和真实的重演，电影正是这样一种运动，重返洞穴，真理只可能栖息在阴影之中。 @BJIFF2021深影
仿佛创造着一种近似于「地下一天，地上一年」的特殊感觉，允许看客在这里忘却时间，缓慢地进入其中；探究黑暗之中的秘密，又或是游走在村落里更近距离接触着自然。它考验耐心并常常不会有更多的讯息，但只要完成，就会发现其中无可言喻的奥妙。
制作还是好PPT但是抒情部分竟然共情了……最近真是……
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