Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
哈哈哈哈,稀里糊涂的就猜到结局了,真把人当傻子？
土嗨土嗨的，看的挺爽
还不错啊，有喜有悲，虽然剧情设计反转在情理之内简单但是好玩啊，老爷子有点帅是怎么回事
真是那点搞笑点全在预告里了，结尾彩票还行。“葬礼压根就不是给死人办的，是给活人看的。”
整体对于喜剧电影来说是合格的，笑点不断。老四的出现没想到，抖音关注过；李会长也是绝了；月季没唱一宿，是最大的遗憾了。
比预期的要好很多，在线上“大电影”里应该属于佳作了。
“每个人都有选择的权利——才是理想的真谛。”
东北电影常常因为真的很东北而分数低，这部不一样，没有太东北，因为后面拔高垮了
当年的爱笑兄弟 情怀三分吧 就看个爱笑情怀
二手月季为啥没在葬礼上唱歌 说好的死亡摇滚哪去了。
感觉带东北两字的电影，都是这几个人在拍的了
电影标题也表明了地域属性，估计崔志佳作为导演和主创也是刻意希望自己的作品中被赋予这种属性。可能之前大鹏的成功也是示范，再说人也总是习惯于从自己所熟悉的领域起步。不过，有些事情成与此也败于此，当然，不能说这部电影是失败之作，只是他远没有到一鸣惊人的水平，更像是一个超长版的小品，热热闹闹，然后又以一个救赎、和解的主题结尾。现在的所谓的喜剧，已经成了模式和套路。但是对于敢于在电影这个范畴内进行尝试的勇气还是值得尊重的。加油，并继续期待……
两星半，其实看得出来是有想法的。但是无奈水平不到位啊。
没有预期的烂，还是有点内容，能把整部剧练成一起，不像以前都是拼凑的小品。
还可以，就是，这个男主确实形象差点，但喜剧效果是可以的，东北话吧……人生就是好聚好散
期待无限低，惊喜无限大，在以滥俗笑话为主的国产喜剧中真是一股清流，当然缺陷也不少，有一些的逻辑不通和解释不明及最后的合家欢，7分吧，比现在的开心麻花喜剧（大多）好得太多了，更何况还是作为一个网大。网大就应该有网大评分的标准，我可以给个四星鼓励
从画面构成的形式上超脱出了主旋律，但是内容还是与新主流无异，叙事上也特意的弱化了戏剧冲突，叙事节奏很慢、戏剧安排较散，但是叙事的几场重头戏全放在了刻意煽情的部分，有点四不像。挺喜欢这种黑白画面中国水墨的摄影风格，但是内容上刻意的回避主流叙事又不想脱离大众审美趣味，就很怪。总体来说有突破有不足，大众接受度不高的同时艺术上也没有做到极致。
北影节看完一直没标。挺特别的战争片，前20分钟好像老塔及60年代的东欧电影啊
什么垃圾玩意儿，崔志佳导的是不错的。但是剧本太差，完全没有共情感，悬浮，浮夸，强制煽情
期待无限低，惊喜无限大，在以滥俗笑话为主的国产喜剧中真是一股清流，当然缺陷也不少，有一些的逻辑不通和解释不明及最后的合家欢，7分吧，比现在的开心麻花喜剧（大多）好得太多了，更何况还是作为一个网大。网大就应该有网大评分的标准，我可以给个四星鼓励
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