Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
这个导演挺会抓观众的泪点的，但是吧，情节还是做的不太严禁
越真实越感人，说的就是这部电影吧，人类都是因为真实才被感动的啊！
男女主感情的建立居然长达三年，为什么不能早一步在一起呢
开始的时候都不容易，有多少人能坚持住呢？坚持住之后能付出多久？付出之后的回报又何时能见到呢？但是主角见到了，他是幸运的
事件其实发生的挺多的，但就是感觉有点乱有点平
比起小鲜肉和大牌明星，我更喜欢这样真善美的电影
虽然没拍出特别的东西，但被质朴纯真的感情打动，无论支教多久，都会成为人生中难忘的经历
让人心旷神怡可以静下心的电影，趁此机会也好好想一下我自己的追求
围绕着爱，承诺，坚守，留下的一部电影，情感不错，但是现在多少人能做到
由男主一个人将孩子们从小培养到高中也是有点儿不容易了吧，关键是从头到尾我都没看见过书本...
这个影片，10分的话我给9分，没别的，就冲着这么感人的一个题材，编剧写的处处是悲剧。真想给编剧寄刀片。
孩子们一声声的老师也太窝心了，老师舍不得孩子们又回来那一幕挺感动的
僧格最后居然去世了，好伤心，我还想看到他回来看望韩松老师呢，可惜不可能了，真的好遗憾。
在开头就猜到了大致剧情和结局，但也不妨碍这是一部非常不错的电影。电影场景美丽真实，演员表演纯朴自然，从片子里看到了韩松、朗措的坚守、奉献、勇敢，看到了梅朵的温柔、善良，看到了学生们对知识的渴求，看到了国家教育事业发展越来越好。
有一说一，比起天上飞来飞去的无厘头片子好多了，就应该多一些这种温暖人心的电影
老师太难了，一方面是需要帮助的孩子们，一方面又是母亲病危，真的很佩服他。
我们应该从屏幕中走到现实中，为真正需要帮助的孩子们带去温暖。
说一句感谢不为过！我们现在的生活充满了忙碌，也许真的应该停下来好好的关心下身边
也许我应该休息休息，好好的体会下生活，体会下草原的风光
我就不明白为什么要把僧格写死呢，那么可怜的一个孩子，到最后居然英年早逝？
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