Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
但该电影绝大部分都放在博弈上
立意可以,但是这拍的太理想化了,甚至说有点差。
没有歌舞,两小时没有尿点,印度片越来越多好片了。虽然还是逃不开一些套路,例如罪犯之所以成为片中罪犯,是因为有冤要诉。近年这套路真的有点多。
感动是真的,悲喜是相通的,这才是最难得的东西。支持一把印度妇女。
虽然故事只能是故事
印度是全球最奇葩的国家,这影片把印度政府的不作为和警察的无能体现的淋漓尽致,百分之一的人住在豪宅装上等人,其余九十九的阿三只能吃牛屎住草房,在印度就算你强奸了十个人都不会犯法,但是强奸一头牛你就会被打死,经常看他们强奸各种动物的报道,甚至还有六个阿三轮奸了一只蜥蜴
故事很俗套,但布洛克的表演很强大,这可能是她作为演员最好的一次。
毫无起伏,印度片还得看《调音师》2022-4-8 03:13:35
很多时候也许不是印度电影牛逼,而是什么都可以拍才牛逼
想明白这一点后,女教师的行为就非常合理了。
社会底层人的利益却只有等到瞎子看见、聋子听见、哑巴说话才能引起注视,这是多么可悲。(不讨剧情逻辑下这个主题是很想给五星的,尤其最后字幕“观影开始已有8名女性遭到强奸”不寒而栗。但前期铺垫实在太长且俗套没啥逻辑..)
3.5星,又一部关注印度社会痼疾的影片。重病需下猛药,印度强奸案的普发,破案率的低下以及法律的滞后,让正义得不到申张,受害者的伤痛难以平复,逼得女主不得不采取这么极端的方式来表达诉求,虽然行为不可模仿,但绝对够震撼。故事讲得还算流畅,虽然有很多其实经不起推敲的点。印度的警察难道真的这么不堪么,发生这种事不第一时间切断网络反而让“罪犯”全程网络直播引导舆论给政府施加压力,这不是自己给自己带了个枷锁么。而且过了这么久才调查清楚犯罪分子的背景以及真正的诉求,这也太迟钝啦。吃瓜群众和吃人血馒头追热点的媒体的看客嘴脸也是表现得很形象。现实中没有出现这么鱼死网破孤注一掷的女主,但希望反映的问题能得到重视,加大保护女性的权益,让女性更有安全感。
3星,乍看是姐妹情深的故事,但其实反映了老美社会阶层的鄙视链。
16个孩子的意义就是每16分钟的意思,最后的标语有点多余了
No it won't be real
桑婆难得严肃克制。系统性的恶无形杀人后还要剥夺受害人的地位。对伤痛的表达刚刚好。
虽然有着差不多的结构和叙事
最大问题还是前摇太长,但是这部电影的存在就是为了让印度被伤害的女人被看见,如果真的是能让印度醒过来的星期四就好了。最后,为女性主义无比自豪,我们每个人都应该是女权主义者。
感动是真的,悲喜是相通的,这才是最难得的东西。支持一把印度妇女。
3.5⭐还不错,节奏稍微有点诡异,尤其是女主的卡点定格笑。反应的社会现实问题也很令人揪心,在如此混乱的大环境下,普通人能做的只能是孤注一掷得牺牲自己,引起大家注意。希望有一天,女生们能真的站起来,站的更高,通过立法和改变社会风气,girl helps girl👧🏻不光是在印度。
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