With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
一分意大利 一分the soulmate/a soul mate 一分给好看的jawline 一分给动容的爱情
被日常打败的时候，暖暖的：）当然栋旭完全是原因啦哈哈哈
就当给李栋旭，韩智敏，元真儿，允儿加个油吧
它就值得给五星！
完全没认出来Matteo，对他的印象还停留在MEDICI里面又酷又坏的帕齐家族Francisco ，这个转型也太大了！剧情的话刚开始没明白，后面很流畅～
对一部爆米花电影也不必过于苛责，数熟人脸也不失为一种乐趣。
从片尾的花絮可以看出成片是阉割版，删了不知啥内容。本来就是卖情怀，达叔去世了就把达叔拿出来一起打感情牌……
沒看之前很期待，看了之後，這剪輯轉行算了，我看我都能剪得比他好
与其说相信灵魂伴侣，不如说修行到一定境界，可以百搭了
虽然，剧本老套，但是有点过年的味道，虽然是公历年。
灵魂伴侣究竟是悖论还是真实存在，坚信存在但并不一定会发生在一生之中
韩国的一部热热闹闹 轻轻松松 温馨温暖的爆米花贺岁片 全明星阵容 颜值在线 演技在线 不知道有什么理由不看呢 里面竟然还有好久不见的徐康俊欧巴 天啊 这该死的魅惑容颜 那迷死人的双眼 感觉看我一眼我就直接死了~~
姜河那那段最有戏剧性，年末看这种群星电影还是不错的，不需要用太多脑子。
虽然老套，但还是让我在新年里觉得温暖到落泪。
比想像中好看～最喜歡姜河那和Yoona的故事線；李光洙和徐康俊的Bromance很好笑；老年CP很感動；韓志旼和李陣郁的Love line戲份不多有點可惜；李棟旭和元真兒的Love line很奇怪...
就是一个情感大杂烩吧，剧情跳转太多了
冲着达叔看的，剧本故事倒没什么问题，不过大话西游本身结构就这样，衍生出来的剧集讲来将去也就那样了
齐天大圣只是一个名字，每个人都可以是齐天大圣。这版改编的大话西游是有内容，挖到了核心的东西。
为了光洙来看但是我真的看不下去，都没看到林允儿出场，光洙米亚捏
太稀碎了，没有一条线是讲好了的。加一星是因为有很多我喜欢的演员。
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