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泰国vc爽肤水真假 高清

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分类： 喜剧片 1996

导演： 西里斯科什·慕克吉

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剧情介绍

　　喜剧，讲一个男人通过装假胡子装扮成兄弟两个人，周旋于女友和未来岳父之间，因为岳父喜欢有胡子的人，认为有胡子的人成熟稳重。
　　Ramprasad Dashrathprasad Sharma (Amol Palekar) is looking for a better paying job. He and his sister Ratna (Manju Singh) have no relatives or acquaintances except Dr. Kedar (David). Dr.Kedar tells him about Bhavani Shankar's (Utpal Dutt) firm known as Urmila Traders. Shankar is a weird man. He is a man of traditional values, hence he naturally hates youth wearing modern clothes. He is a sports fan, but thinks lowly of youth knowing anything about sports. But his most weird trait is hatred towards men without moustaches. He thinks that men without moustaches are characterless.
　　Ramprasad has a moustache. He takes care of other problems by wearing kurta & feigning ignorance about sports. Bhavani hires him immediately. Ram is a hardworking guy, so Bhavani (& Ram) have no problems. However, Ram once takes leave by pretending that his mother (who died many years ago) has taken ill, and goes to watch a hockey match. Bhavani Shankar, who also attended the match, sees him there.
　　The next day Bhavani summons Ramprasad to his office and asks him about the Hockey match. Remembering the plot of a movie a friend of his is shooting, Ram convinces Bhavani Shankar that he had seen his "moustache-less" identical twin Lucky (alias Lakshmanprasad Dashrathprasad Sharma) at the stadium.
　　Bhavani Shankar buys his argument & feels bad about accusing him and decides to make amends by hiring Lucky to teach his daughter Urmila (Bindiya Goswami) music. Ramprasad reluctantly shaves his moustache to become Lucky and starts to teach music to Urmila. He is helped by his actor friend Deven Verma (playing himself).
　　Now Urmila aka Urmi is the exact opposite of her father. She takes immediate liking to Lucky, while Ram is barely noticed by her. Bhavani notices this & gives Ram another job to tutor on the pretext of her exams. Meanwhile, Mrs. Srivastav (Dina Pathak), a socialite, is roped to play the part of Ram, "Lakshman" & Ratna's mother. Like Ram, she also ends up playing her own twin in front of Bhavani.
　　Ram decides to tell Urmila the truth. Urmila tells him to tell the truth to Bhavani as well. Ram goes to Bhavani to tell the truth, but Bhavani sees Ram's moustache giving away. Bhavani exposes Ram, but ends up thinking that Lucky murdered Ram & impersonated him to marry Urmila.
　　In a hilarious chase that follows, Bhavani ends up totalling a police jeep. The Senior Inspector (Om Prakash) mistakes him for a thug named Pascal D'Costa & is about to lock him up in the jail. Only when his Inspector identifies Bhavani Shankar by his real identity is he freed. By now, a harried Bhavani has developed hatred for twin as well.
　　On coming home, he finds that Urmila & Lucky are married. He refuses to give them blessings, until Dr.Kedar comes to the scene & explains the whole situation. Now, Bhavani becomes even more furious, but on everybody's insistence, relents. The film ends with a family photo of Mrs.Srivastav, Ratna, Urmila, Ram, Dr.Kedar, Bhavani's sister Kalindi (Shubha Khote) & Bhavani (who is shown without moustache).

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评论:

  • 司徒梧桐 1小时前 :

    3.0。前段遠好於後段。攝影機以仰視和俯視進行自由移動或近身跟隨，配合靜止特寫時的大量廣角變形，成功描摹出數字極權時代無孔不入的監視網絡。而當這一套攝影母題停留於室內時，同樣重現了疫情居家時期的幽閉感。但這套技法在後段街景中不斷重複，不過是為了掩蓋機位糟糕和爛俗的科幻文本。對《後窗》偷窺結構的挪用也並未完成當下語境改造。

  • 咸萦怀 7小时前 :

    节奏好快，结尾手帕对峙的戏表演节奏真好，看到Luccille最后选择继续演第一幕的“笨女孩”好辛酸。

  • 士水蓉 8小时前 :

    爱夫狂魔的她一切以丈夫为中心，愿意为他用事业挽救岌岌可危的婚姻，但是最终从幻想中清醒过来，结尾那段忘词的戏拍的很有寓意，把之前设想好的一切都推翻了。她终于明白为什么他们能在违背很多生活常识下而发生的开场，因为没有了爱，只是做戏。演员的表演真的非常细腻和层次感分明，内心戏也十分强大。

  • 扈哲瀚 1小时前 :

    这应该是我见过最灵的黑妹了，我甚至感受不到是一个黑人，演的也很出色那些小动作非常符合人设，片子本身也跟灵，时尚元素紧凑剧情，一直保持的紧张感纯，反派蠢贼设定增加幽默感，很好看（女主说自己当初的遭遇自己反而被搞最后终于明白为什么了哈哈）

  • 勇安祯 1小时前 :

    剧情说实话并不怎么好看，全是男女主演在飙戏，真的很过瘾

  • 宿和玉 1小时前 :

    大概是疫情场景下看到的有趣的片了……小品，小剧情。看看装修也挺好的😆

  • 宦馨欣 5小时前 :

    蛇头虎尾，所以你得耐住性子跟着它慢慢进入故事。妮可演绎了宋丹丹式的戏霸，那种为了艺术的坚持。

  • 亓睿敏 1小时前 :

    疫情+网络时代的心理困境。心病需要心药医，但也需要外部刺激带来行为的改变。本片中，窥探和共情成了一把简洁有效的钥匙。

  • 太史寒凝 2小时前 :

    这种标准冲奥传记片，还是关于好莱坞自己之前那些破事的，我真的看腻了，索金现在是不是越来越执着于奥斯卡了，连着来导演，剧本打磨都没有以前好了，机关枪台词加几个倒叙，也不新鲜了啊。妮可表演不喜欢，但还是看出来不错，巴登和西蒙斯这奥提真就没啥必要了

  • 愚睿好 2小时前 :

    美国导演体制化后以后的众多顽疾之一 ——对世界无话可说无表达欲之下，只能一天到晚找各种题材改编，以至于当年戈达尔吐槽，拍个圣经故事都要找小说来改编。

  • 卫采宇 9小时前 :

    我挺喜欢的。。戏中戏也是讲明白了，非常能get到妮可从肢体到眼神再到语言的喜剧形式，僵脸妮可似乎在喜剧的戏中戏中更多了一层表达，导演也算是能平衡喜剧与严肃的对立，挺好的！

  • 宏柔绚 5小时前 :

    后疫情时代、无孔不入的语音助手与Metoo，Kimi确实是一部充满时代气息的作品。希区柯克式的视听语言无处不在，这一点很让人喜欢。

  • 包尔风 4小时前 :

    昨晚看的，现在依然沉浸在后半段的悲伤情绪里出不来。我觉得妮可好的地方在于，她演的是一个真正的女人，锁金写剧本先把她当做一个女人再去填充其他符号，但是电影前半段确实拖沓没重点，虽然我觉得这是今年好莱坞少有的真正写女人的电影。Kidman除了长得不像，口音学的不错诶，而且声音本来就像，真正情景剧的场景不多，所以还好。如果Debra Messing来演肯定演不了这么好，毕竟她只是喜剧演员

  • 富忆远 8小时前 :

    作为上世纪就出道的60后导演，却有股年轻导演的冲劲。索德伯格属于少数的既能保持别具一格的作风，还能不断尝试自己喜欢的想法。这回是希区柯克穿越到现在拍了一部《新后窗》。★★★☆/7.4

  • 应恺歌 7小时前 :

    老板要是不犯事，这姑娘是不就一辈子呆在家了。

  • 厍经纶 6小时前 :

    这年头还有人信奉以身相许？啧啧啧，真是当代“僵尸”

  • 唐锦凡 0小时前 :

    昨晚看的，现在依然沉浸在后半段的悲伤情绪里出不来。我觉得妮可好的地方在于，她演的是一个真正的女人，锁金写剧本先把她当做一个女人再去填充其他符号，但是电影前半段确实拖沓没重点，虽然我觉得这是今年好莱坞少有的真正写女人的电影。Kidman除了长得不像，口音学的不错诶，而且声音本来就像，真正情景剧的场景不多，所以还好。如果Debra Messing来演肯定演不了这么好，毕竟她只是喜剧演员

  • 明嫔然 5小时前 :

    它可能被诟病的一切，都是我喜欢它的原因。

  • 佴雨莲 3小时前 :

    几个感想 1.当今戏剧舞台上，除了“中国人”就是“美国人”，性格特征无需区分，立场必须明确。 2.艾伦索金对于文字的迷恋与玩弄，也算是编剧的原初创作力之一了，文字的所指与能指关系，哲学气息。 3.唯有在戏剧舞台上才能感受到感情的女主，倒也真是浪漫过头。 4.所谓演员，到底拥有多么恐怖的可塑性，可被完完全全的样板戏化，也可完完全全的被间离。

  • 振杰 4小时前 :

    剧情依稀有交代女主早年受过袭击却没有收到公正公义对待的过往。KIMI 貌似很好用的样子。没有特别好看，也并没有特别不好看，故事有算完整的起承转合。

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