With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
看着凯奇叔卯足了劲的十分努力，却还没佩德罗演得灵活毕现。此时非彼，英雄暮色，难焕风采。在一系列致敬的桥段中又梦回当年的辉煌，hhh曼蒂真的算masterpiece吗？无论如何，nick从未离开，一直陪伴，期待下一部！
电影中的电影，演员里的演员。
没有特别好笑，但看的很开心，剧本还是随意了点，尼古拉斯凯奇演过太多经典在片中都有提及，就很可爱的片子～
U R Nic fu*kkkkkkkkin CAGE!
尼古拉斯·凯奇（Nicolas Cage）络腮胡真难看，苍老了很多。很久没看他演的电影了。知名演员未必有钱，欠了一屁股债，看起来还光鲜亮丽。父女关系，前妻，一堆事，心累。一见如故的朋友，相见恨晚。
前半段还蛮有趣的，从营救开始拉了，导演和编剧都没有心力把整部剧的戏中戏往更有深度的方向做探讨，如果处理得好，是有可能成为凯奇的翻身之作的。
“你是，尼克·＊＊＊………………哇！凯奇！”
爆米花电影。没有连姆的紧张刺激，没有李维斯的爽。
不过就像电影里说的那样，摆烂可能都不是最悲哀的，不停的尝试还没有效果，只能让观众更怀念他以前的经典角色。
气氛挺好，可能预期有点高，觉得有点乏味。但我还是很喜欢凯奇的！
对Nicolas Cage近年现状的调侃和以前光辉岁月的回顾，The Unbearable Weight of Massive Talent为Cage定制而生，它用一种近乎戏谑的态度来为Cage庆生，结合Cage还债结束的里程碑，这部电影仿佛就像剧情里的一样，Cage终归还是那个永不过气的Nick Fucking Cage.
非常有趣的片。故事整体其实是较为俗套的商业片套路，但两个主角之间的尬到爆炸的兄弟情，还有在剧本与故事里穿梭来回和展现对电影行业的一些小细节给电影整体增色不少。
这部片子凯奇想要表达的是：拍戏只是我的工作，老子怎么选剧本与你们有屁关系？更没打算转折…但这位导演又拍成了上一部《尴尬时刻》的尴尬时刻。
还行，但所有电影梗都让人回忆起当年凯奇的电影可是太他妈好看了。债还完了，真心希望能再创辉煌。 女儿的演员挺好看。
因为从小看电影频道，一直觉得尼古拉斯凯奇是比较“正派的”演员。。。
还挺有趣的，关键是气氛越来越好，不过如果不联系凯奇本身的故事。也不会有这么好的效果。
哈哈哈哈哈哈哈哈其实做的事是薇诺娜在黑天鹅，鸟人，摔跤王做的那些事，调侃自己的过气并消费剥削它获得电影媒介自反，but那些都有表达有深度，这个真的除了调侃啥也不剩（竟然有点像扬名立万，那种烂片质感）但还是获得了快乐浅及格吧
一百多年来有如此多优秀的电影，这个问题的答案受限于这个季节，我现在的情绪。
不够癫狂，片时长，剧本弱、投资少，可毕竟还是凯奇啊，哇塞。
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