Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
spoiler alert 大概就是两个男宝杀人全村帮忙包庇的故事😅
多一星给这个系列。道枝根本扛不起来这个角色啊到底在想什么。
其他的基本都保持了电视剧的拍摄和剧本安排，挺好
这个反转是有点扯的，好像编不上了硬塞上去一样。南云的演员好帅啊。
对于一个没看过电视剧的人来说，这片只能算及格
SP水平，但是有回到高中追剧的感觉……情怀打个及格分吧（以及MJ还是好帅
这路子如果是搞个SP拿高收，我能摸着良心说是善有善报，但你告诉我这是松竹大电影，还刮了28.7亿票房（烈酒一口闷…
拖了很久终于看了，觉得案件还是不错的，不知道会不会还有下一季
案子本身还是经得起推敲的，尤其是真相，不是什么处心积虑、深仇大恨的桥段，反而是意外简单的无心之过，没有人是彻底的坏人，才让悲剧显得更加悲剧。我不是很理解西岛秀俊的角色，杀鸡焉用牛刀（在SP里好不容易立了反派人设，但在电影版似乎没有什么发挥的空间）。松本润每次把手从耳朵里拔出来的时候好担心带出耳屎，每次不变的套路有点审美疲劳。
真相能否给人带来幸福不得而知，但是有一点可以肯定，谎言是救不了人的。一部挺搞笑也挺有看头的侦破片，男主长得有点娘，睫毛可长了。
两个小时的电影，最开始的案件太敷衍了，后面事件的真相也挺无语的，比较牵强
看完前男友的遗嘱没几天看了这个电影真的是有点即视感了hh
真的好可爱……
如果放弃就会错过真相。谎言救不了人。
时隔许久有些恍惚，小花还挺适合抗冷笑话，“学人精”人设不讨嫌。南云律师人设有点崩了吧，事关女儿这么多年没解决案子真的离谱。奈奈和文乃双双客串好评，主题曲唤起了我死去许久的A团记忆，以及川上退休是不是么得第三季了？最后，姨爱能克制一些吗，对道枝真的审美疲劳啊= =
电视剧里的梗搬到大荧幕上有那么一些些的尴尬，特别是拔耳朵的圣光特效，但是奈奈很好看
手法猜到了，动机没猜到，西岛叔果然不是大boss
好久好久，没有在片尾听到我团的歌了😭
J家是新增加了什么美颜磨皮规定吗？男主连下睫毛都如此卷翘实在是很奇怪好吗？全剧唯一有情感波动都集中在西岛这里，和香川叔对手戏再多点就好了。结局倒是没想到，有点挖色，村民为了两个小孩的前途却推无辜夫妇去死实在太过了，也没看到有什么负罪感。三代女主都出场发觉还是奈奈最可爱，文乃还是那么。。。。
放大后影响的
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