Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这是啥？吉吉国王成主角了 还配了个开挂妹子 还能不能行了 导演恰烂钱
@2022.02.12 还蛮可爱的，梗的密度和小品差不多了...
吉吉国王正经起来叫人不太适应
还挺乐呵的～哈哈哈哈～吉吉国王走上人生巅峰
这片要不是因为赘婿真的难看得下去，情节老套，故事单薄，等第二季吧
影片的整体创意是极妙的，最终的设定与《第一诫》、《净化之时》遥相呼应、异曲同工。其中驱魔/驱神、造圣桥段，对宗教、人性、信仰、阶级社会进行了惊悚的反思与讽刺。人间之上，贵族通行，阶级以下，皆是蝼蚁，敌在梵蒂冈。圣殿骑士团第21静态管理小队即将利刃出鞘......
这是一部怎样的网大呢？一句话总结：别人瞧不起看不上各种嫌弃于是极力想证明自己能力的苏家二房文兴公司“吉吉国王”终于通过承认接受自己是个废物而实现了自我成长从而打败了内心的那个小泼皮猴子成为了所爱之人生命里的齐天大圣。
把它当喜剧去看，轻松快乐，后面的反转挺有趣
比较符合逻辑的驱魔片，上帝之手无法触及，神父只能被迫接受和恶魔交易。
俗套的爽剧，还是炒电视剧那些陈旧梗，看着浪费时间。
节奏好慢，好多多余的场景和慢镜头，感觉在凑时间。
大舅哥的番外！是献给剧粉的礼物吧！居然不要钱！
唯一可取的是还能原班人马演绎新故事，至于其它，还是那个配方、那个味道！
电影完成度很低，但开创了不少令人错愕的新概念，比如反向驱魔、耶稣和圣母玛利亚被附体、附体丧尸化，以及堪比诸葛村夫vs王司徒的正邪高能对决，看谁先把谁给吼脑溢血了。真是胡编者无畏啊。
延续了原剧欢声笑语的风格，加入了更多现代的商业营销风格，眼前一亮，不错不错。吉吉国王逆袭成主角，演得很不错啊，高甜也可以，还算一部小喜剧。
驱魔和闹着玩似的，只会拿个十字架念几句咒语，太拉了。
男主和女主应该是古代的自由恋爱吧，感觉真的很有CP感，而且女主的人设好讨喜呀，每次看她和男主在一起我都会姨母笑。
还是蛮搞笑的。就是男主这脸不行，不像一号啊。。。好尬
朱自清背影，吉吉国王吃香蕉，居然还有恶意满满的牙签儿梗。虽然挂着电影的虚名演了两个小时电视剧，但是刘冠麟还算撑得住。
“苏氏布行”的吉祥物—苏文兴
Copyright © 2015-2023 All Rights Reserved
