This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
爱情是一种扭曲的视角，放弃主从（支配），放弃惩罚（怨恨），就能狗超越他吗？还是说这种扭曲本身就是爱的能量呢？
精彩，但是不完全精彩，打半天也不开个领域，好像看的挺爽，又好像啥也毛看到
这可真是青春纯爱了哈哈哈哈，节奏走的有点快，熊猫真是最最最可爱了
俗 堪称AU的EVAＸHP 但我至少知道纯爱战神是啥意思了
平庸媚粉作，所有的人物都扁平化了。男主开朗版碇真嗣加上输出全靠吼的艾伦耶格尔……拧巴又无辜，成为东专学生和消除罪孽间的强烈矛盾居然直接无视，碇真嗣快进到『终』去了，总之一百个不适……失去以往借助长篇塑造的仔细。"友情"是升级打怪一样攻略前辈。禅院愤世嫉俗，浑身带刺，我都觉得在丑化她了。最后把五条的美貌和强大，娜娜明，东堂的打戏圈钱。累了，武打很有mappa特色，但是没有反复看的必要。文戏一塌糊涂，显然没有补充原作不足，无脑爽文。对夏，完全不能理解这种灭世的想法。他是边缘化的人物，"只是想做"这种理由没有性格依据，脑残。善恶两面简单化，矛盾叙述模糊化，所谓"爱情"只是意淫。
整体节奏保持住精彩，剧情上相对仓促了点。太纯爱了，无论从BGBL上来说。好嗑。
1、五条悟最后到底说了什么 2、“真是失礼，我们可是纯爱啊”名场面 3、怀疑五条悟有海胆收集癖 4、夏油杰那句你的心更狠，总觉得有深意啊
这可真是青春纯爱了哈哈哈哈，节奏走的有点快，熊猫真是最最最可爱了
你要说剧情吧咒术其实也不算有很大突破，但整个制作就是很潮很现代，很好看哈哈。
教科书般的jump系漫改作品。煽情和回忆杀点到为止，动作戏有选择的大开大合，难得舒服的节奏感。jump有笑有泪的传统叙事的确有恒久坚固的魅力，mappa这波属实拿捏住了
乙骨的故事略顯無聊~自己說自己純愛太可愛了
为了社交活动看的。看了三集动漫然后去看的电影。就感觉还行吧，不是很喜欢动漫的这种感觉，总觉得热血的莫名其妙，虽然确实有被一些美女辣到。最不开心的是熊猫莫名其妙开maki胸玩笑的那段，有必要吗，男人……
百鬼夜行这部分属实不太行，让各人物出来收拾几个龙套野怪刷刷存在感就完了，百鬼夜行果然还是GANTZ最经典。前传的故事我认为比较老套，提不起什么劲，正篇的故事我还是更期待看到怀玉篇。
漫画本身就不算紧凑，前期单元剧依次组队露脸。动画把这方面的缺点更放大了，节奏怪怪的。原作偶有让人泪目的点，比如那句“加油，忧太”，完全没感动起来。
叫得上名字的人物基本都露了脸，连我们打工人之光七海桑都有一小段高光时刻。咒术总体的感情线应该是友情为主，不过乙骨篇的重点是纯爱，真是威力大到可怕的力量啊。夏油居然有脸说乙骨是玩弄女人感情的家伙，他自己难道不是玩弄（消音）感情的家伙吗。当然乙骨篇也绝不会忽略五夏之间坚不可摧的信任，“我唯一的挚友”什么的，犯规。总之是粉丝会买账的作品啦。
纯爱战神，要上天的节奏，咔咔咔咔咔咔咔咔!
结局突然没字幕了，纯爱战神最后干嘛去了？？
我的泪点真是低幼到令人发指！电影。。。反正不算难看吧，画风不是我喜欢的，但Satoru的眼睛还是蓝得深得我心。
关于纯爱战神要去驾驶初号机这件事
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