With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
巨星阴差阳错和一个普通人相识相爱。最终大团圆完美结局。
最喜欢甜甜的恋爱了。maluma好帅，甚至觉得他现实生活中也是个吃着碗里的看着锅里的那种人。里面有好多时间都在唱歌，maluma和jlo各自solo的两首还挺好听
没打算像《圣诞速配》一样拖到明年圣诞节才观影，那今天就看下这部同样应景圣诞节的《单身到底》吧！& 多希望世界各地的人们对待LGBTQ少数群体能像电影中那样没有歧视、欣然接受、习以为常。
够无聊嗲…是我长大了吗？这部爱情片太无聊了吧
JLo都没老，还是我小时候看怪兽婆婆的JLo～大本真幸福～
热热闹闹像一部好莱坞的电影，但是制作还是要有钱一些。
画面很漂亮，配乐很好听，女主是以前很喜欢的演员。
总是能看到恶行里面的样子，那个形象印象深刻
无聊至极版的诺丁山，起承转合都能猜到 而且没有任何让人感到有趣的地方，寡淡如水
故事框架很好，画面很好，bgm很好，演员很好，但是内容很苍白，穿插的恋爱的部分很不错一到人鬼那里就很泛，这部分多讲点会更好吧，结尾也很confusing好不容易见到了突然醒悟告别了，倒也不必为了正确而正确为了升华而升华，我倒宁愿看见一起走了，这种叙事和情节就不是很明白男主的停留究竟想讲什么，究竟有什么意义。总的来说，本应该可以拍的更好
是时隔半年第一次在影院看电影，明明知道是一部老套的好莱坞爱情喜剧电影但是就是想简简单单快快乐乐的开心一下，从头都可以猜到最后，起承转合工工整整。劳伦兹真的好厉害53岁这么抗打，看这部电影主要是因为她和大本今年的恋情风风火火，想看看电影里的她会什么样子，果然值得一周四次。插曲真的巨好听，果断放到qq音乐里。整体观影满足，觉得好的电影最佳就是满足预期，超过预期都不奢望，我得到我要的就足够了。
sos男主的脸又僵又丑，就不能换个正常人。
性转版灰姑娘 连汤姆苏都算不上 生硬地塞进女权主义 Maluma戏份是真的少 (但似乎很贴合这种渣男角色)
依稀往梦魂归来，青春再版人鬼恋。
对女主还是挺喜欢的~
maluma和卡拉斯科相似度得有80%吧！
Jlo本色出演，虽然挺无聊的但是谁让我是她的粉丝呢还是很喜欢哈哈。她也算是天山童姥了，感觉这二十年没变过！很久没看romcom了，作为一个电影还是挺一般的，有点霸道总裁嫁给我反过来的意思
美国人也这么喜欢磕CP嘛？
有点土有点无聊，主要是男主实在是太普了，此片就是JLO个人秀
网上流行的爽文套路，明星的加盟，加上精良的制作，适度地玩梗，完全可以成为一部合格的商业大片。我们真应该好好学学。
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