"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
50周年剧场版,可以了。终于不是皮套大战了
打戏方面CG太多了,虚
太法国了~~阿娜伊斯真的好鲜活,人物塑造大成功。
25年前:You're always my hero
按东大妈这么多年的尿性,这次剧场版真的是很好的把故事说清楚,在情怀上没有刻意致敬。(托马老师别划水了哈哈哈)唯一吐槽的是为什么revice的巨大化这么丑!(虽然习惯了吧...)其实saber组是全员划水的,哈哈哈。
是谁上了最终形态也还在演 是我卡密亚麻托马哒!
ED的平成骑士怎么其他都是强化只有几个是基础形态
个人感觉都已经凸显的很到位了
大型玩具展销广告。不过日本文化能有这种横贯50年陪伴几代人的IP,还是很佩服的!
比起以往皮套大战来说其实还不错的,只是剧情上没有突破,看到一半已经开始乏味了。
那句跨越了50年的,“来打,henshin”有鸡皮疙瘩了。
仮面ライダー ビヨンド・ジェネレーションズ
非常一般,就是共享屏幕中途被会议强制退出进不去是我没想到的ಠ_ಠ
利维斯的主题:家人
还有,本乡猛能说出感谢改造这种话……我是没有看懂的
自己在电影院看的第一部来打剧场版,不错的纪念作,vice吐槽巨大化过分可爱,有空再看一遍吧😄
#GFF22 audience awards的第一部 看完没什么感觉,就像女主自己所说的,她不care任何事情,随心所欲地生活。
蛮喜欢父子那条线的,但是我没什么情怀所以就看个乐子,顺便看看皮套大战各个队伍共斗,愿将莲樱称之为被长辈祸害的相方都是人外反派的未成年花花名字组。
某些细节上处理的并不好,比如狩崎对广见的态度,对比TV到现在他的人设就会感到突兀,似恶役但好像又是好人,反复不定,让人感觉很别扭。
现在想看一部好电影为什么这么难,女主跑得看的我好累,那些文艺味精总让人出戏。。。
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