The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
之前在吉野贤治的书里就听说了fire island，就像LGBT的乌托邦。有生之年一定要去一次，体验一次完完全全做回自我的感觉。
我不懂：为什么总是要歌颂心碎，脆弱，希望或者爱？现实生活中有什么？嗯？
唯一一处正常的地方就是主角认为《以你的名字呼唤我》很无聊
但Will和Noah不搭啊
看到一半才反应过来致敬了傲慢与偏见，甚至人物关系还有几场重点戏的色调都是一样的。Masculinity, rich, none-Asian, white, abs, those are right though.
很出色的通讯录喜剧了，不建议30岁以下的通讯录看，毕竟世界观差异太大了
画面很香艳，想表达的也很简单。大概是想讲，在如今快餐版同性恋爱盛行的时代，也依然存在真爱，不用为了迎合大家的喜爱而去伪装自己。但是吧，深度还是不够啊，很浅很浅。
不会有姐妹看完这个剧真的以为自己会找到白马王子吧
烧0岛！√
人类在极端环境下装备和团结很重要，意志也同样重要。
本来以为是porn,没想到是纯爱电影，被骗了
看到那个modern flag我直接劝退，不好意思，我是个保守的男同。
但是，好多剧情还是很尴尬
救命 will别扭的让我想起了某些时光（btw谁不想跟一群好姐妹度假开party呢（快放我去海滩散步
看的很揪心，冒险家真是最勇敢的人之一，无畏生死，在路上。
我觉得唯一还不错的，说出了很多圈子里的现状，身材崇拜，阳刚崇拜，歧视链各种，还有一点点对感情应该持有态度的思考，不过真的只有一点点。
happy ending一星，伯文杨一星，Zane Phillips一星。PS:这么骚的岛在哪里挺想去的
gayest movie ever
男二怎么一点自信都没有，婆婆妈妈的真出戏！
根據丹麥的真實故事改編。
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