With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
教科书般的jump系漫改作品。煽情和回忆杀点到为止，动作戏有选择的大开大合，难得舒服的节奏感。jump有笑有泪的传统叙事的确有恒久坚固的魅力，mappa这波属实拿捏住了
觉得很一般呀，讲的应该是TV版前面的剧情吧。很老套的剧情，『五条悟』近乎没什么存在感……
我居然看枪版，还看完了🤷♂️🤷♂️🤷♂️
看的抢板，都没机会到电影院去看，希望以后有机会
真希来骂我谢谢 蒙眼笨蛋三观太正 打斗还是帅爆 纯爱得 可以
“那是我的好朋友捡到的，唯一的朋友”
从节奏到剧情，基本是对原作的重现。
五条的那句唯一的好友真的戳心窝 娜娜明有几秒的高光！王道漫直球真好呀
我们可是纯！爱！战！神！还以为里香会送优太他讨厌的人的手指结果竟然真的是戒指 未免太阳间了点！禅院学姐从开始到未来一直带小孩好辛苦 看到狗卷前辈我脑海已经开始自动播放“宝娟 我的嗓子”（大雾）
如果我给咒0打五星那一定是因为我太想看到会动会说话的我推了......and梶浦。
绪方惠美的忧太，真嗣味太浓了。剧情很中规中矩的还原漫画内容，原创了几场让人惊喜的场面，添加的怀玉篇画面配合后面五条对夏油杰的挚友发言，让人心如刀割。流水线的剧情只值三星，但是我太吃咒术打戏分镜和动作设计了，朴肝帝都亲自下场画卡了，难道不值得多给一星吗。
五条悟这个天花板设得太高了，搞得完全不想看其他人🤦♂️
乙骨同学的番外篇故事。这个在动画里未出现，却一直在大家口中说的传奇名字。打斗场面一如既往的精彩，还有更多熊猫组角色的塑造。不错
战斗画面更丰富一些就好了，想在大屏看纯爱战神
看过漫画再看剧场版依然觉得好看，但为了交代人物费了些篇幅，大决战时间有点短，百鬼夜行那边太少了，忧太和杰的对战也不够细，有些诅咒画的还没漫画细。再，五条老师战斗场面太少是减分主要原因（颜狗的哭喊）。
所以悟和杰，里香和乙骨最后说了啥
前面还不错，但结尾就这么开挂秒了油，还不如给五条悟发挥一下，打个精彩
哈？最开心的日子是被捆着做了六年妖怪？？？
乙骨和真希没有CP感，熊猫嗑得好起劲
夏油杰跟五条悟是同期？
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