With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
为国杀人这种都是上位者为掩盖自己利益想出来的借口，却用此洗脑了无数军人。前半个小时铺垫太长了，导致后面枪战戏提不上劲来。
Jack啊Jack！没想到你这浓眉大眼儿的也叛变革命了！！！
真敢拍啊这内容竟然很贴合当下，可惜长度不够，BOSS太弱，建议拍成电视剧！
芯片植入跟升级一个套路，杂糅进去的桥段太多，看着热闹，没有爽感！
战斗很好，剧情一般，谁是恐怖分子，谁是始作俑者的设定很不错，最后的结局有些仓促了，还可以更细致深刻一些，可惜
省流：承包商让男主最后承包了很多老婆😅
最厌烦半吊子文艺的动作片，先沉闷缓慢搞文艺再开打，的确是个讨巧的好方法，跟整容手术前后对比一样有看头，问题就一个，我们动作片爱好者撑不到开打就闷死了。动作片从来不对社会问题提供实际有效的解决方案，它的本质就是逃离社会问题，好看也在于提供了逃离的想象，快意恩仇就像烈酒下肚，我们可以不管问题描述是否真实准确，我们只在乎解决过程是否精彩刺激。而文艺电影正好相反，摔掉酒杯，逼着我们清醒地思考痛苦，肾上腺妨碍思考最好停止分泌，所以它才要“闷”。文艺片费力气的地方，动作片完全不用管，反之亦然，所以文艺片里不入流的表演搁动作片里都是演技，而动作片里不入流的场面搁文艺片都是惊险刺激，对这种想两头占便宜的冒牌货就应该给负分。
“一死了之很容易，但要活着很艰难。”餐桌上其乐融融的闲聊，几记枪响打破短暂的平和。提到病毒和疫苗很难不联想到当下的状况。
很一般的片子，你这到最后阴谋也太儿戏了吧？开头还有些意思，接着后来欧洲部分也还凑合，归国部分就是贼无趣，明显无法起到一个完美收官的作用，反而尽显本片的绵软无力。
情节稍显老套，但是主角的个人情况交代和性情表演都不错，片子的题材也很好，对应现在的新冠病毒，揭露美国令人毛骨悚然的阴暗面，为利益而反人类的阴谋，细想一下现实中美国在全球三百多生物实验室的病毒可能比全球核武器不知道恐怖多少倍，可能新冠病毒只是冰山一角。
派派在里面好沧桑……这电影还行吧，不过可能不是我喜欢的类型看着有点乏，估计最近枪战类看多了有点疲劳了
一般般，吃饱了没事的可以看看，当然不想浪费时间的最好别看
流程特别套路，基本属于看了10分钟就能把结局猜个差不离那种。但是剧情有很多硬伤，比如自相残杀的理由不够充分，如果仅仅是因为任务惊动德国警察，那大可不必，毕竟事情发生了再灭口也没法掩盖；男主的前领导后面突然反水，理由大概是被男主说服，良心发现了？但是从一开始他就应该明白400万买男主一条命，后面反水不但容易失败，不但男主的400万没了，他能拿多少钱没说肯定也不少于400万，那也是铁定泡汤，而且万一失败家人也一无所有了。反正看看为数不多的动作戏吧。
男主特警，空姐女友被恐怖分子打死，自己被打成瘫子，后遇到政府启用超级士兵计划身体合成AI，恐怖分子控制议会，抓捕了总理，男主各种狂拽酷霸炫，最终打死所有恐怖分子，解除了危机。
最后的枪战中，福斯特在空旷的灯光下手枪对长枪，还换弹夹，简直就是白送啊，这战术素养难怪被派派救了两三次。
可惜是那种平平无奇的剧情动作片，克里斯·派恩尝试证明自己的蜕变，但角色还不够立体，剧本不太行，根本就没有亮点可言。
真敢拍啊这内容竟然很贴合当下，可惜长度不够，BOSS太弱，建议拍成电视剧！
太教条了、、、想升华主题但是没升上去让人很尴尬，然后每个人物都很平，剧情也变很平，看完觉得莫名其妙的
唯一不合理的就是，哥俩找boss复仇的时候，那兄弟竟然长时间站在最亮的路上开枪，暴露自己。😂
神秘契约背后隐藏的危机，原来是一场精心策划的致命阴谋。身处异国孤军奋战，该如何杀出重围、活着回家？
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