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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
本片表面看來是一部挑戰禁忌的作品，實際內容和表現手法都相當保守，缺乏一定的活力和激情。編導在處理校園相戀到投身社會的過程的成長過程，缺乏大量細節描繪，如流水線一般帶過的故事線，無法呈現主角在面對感情抉擇時的說服力，既沒有對愛情，友情的錯摸，試探以及掙扎，也沒有強調年輕的叛逆，對僵化體制的反抗，一切如同蜻蜓點水般。每場戲情緒未到就草草收場，顯示了編導的信心不足，在掌控節奏上欠缺章法。效仿同類型青春片的純樸，潔凈色調，不僅沒有烘托角色的化學作用，反而讓全片更是女主角的父親對女兒情感一廂情願的無知想象。
Lady Gaga的表演方法和奇怪的意大利口音决定了这个故事的视角：它是错乱的、失序的、淡漠的，它让故事失去一个必要的结构、一个客观的历史叙事和一个可靠的情感寄托。这部流水账般的电影没能给这个时代的观众一个新的角度去关注这个家族。它没有任何的情感，更像是一个报道的影像化，带着一种后世阅读历史的理所应当的语气描述去记录它的进展，但所有的探索都没能在影像上找到答案。
三星给嘎嘎，一星给杰瑞米.艾恩斯；如果有可能，希望把奥奖影后小金人直接快递到嘎嘎手里——一个被唱歌耽误了的天赋型演员；对古琦这片子背后的家族狗血故事先前没有了解过，目前来看，这牌子也没有操持得很好，依然是滥大街的“暴发户”首选。
4-…太长了是个缺点，但总的来说还不错，有一种很古怪的趣味感，就好比片子里司机哥说他要把gucci做成梵蒂冈加上时尚感（似乎是这句），这个片子也有点这种时空错乱的混搭感，塑料意大利腔的英语挺搞笑，Gaga演的挺好的，但演的最好的还是莱托，不看演员表真的没认出来…
以为是豪门抓马大戏，但影片实际上平淡多了，平铺直叙毫无悬念，想看阿莫多瓦拍这种故事。前半段的司机比较可爱，地主家的傻儿子，带着呆瓜眼镜和一脸满足的傻笑，被lady gaga轻松玩弄；但他远不如莱托演的paolo可爱，说话措辞及其夸张，哼哼唧唧像个小耗子，把家底败尽后老父亲也只能无奈拥抱，“you are an idiot，but you are my idiot”
嫁入豪门的lady Gaga…司机哥值得一星
我爆哭。拍的很好，演员很好，都很好。真的很久没有这么好的百合片了，谢谢
和Mia一起看的 困的我泪流满面 一边听一边睡 不知道故事居然是真的
*哦对了，杨偲泳跟陈妍希长得挺像的
但个人从情感上还蛮喜欢的，演员演得挺动人的。
这故事水得别说雷老爷子，就是库布里克复活也救不了，除了最后毛里奇奥被枪杀的史实没法更改以外，其余的狗血情节换成Louis Vuitton、Prada、欧尚、万达等等任意一个家族企业都行。
1.5⁵
1.剧情碎，这种家族史，一定要把线理清楚让不了解的人看懂，要不是先去了解这段历史是真的没法理清楚，都是蜻蜓点水。具体可参照《教父》《美国往事》《爱尔兰人》…… 2.重点说Gaga，想通过这片子得最佳女主怕是无望了，表现一般，各方面都一般，不如第一部star 。
剧情上有些跳跃，也不喜欢这个结局，这可能是现实状况的无奈，也太过刻意营造出氛围来渲染，但是有很多好的镜头画面，演员的表演，尤其喜欢短发女主，有种清新俊俏的美感，还挺像年轻版叶童，点开一看还真跟叶童一起拍过戏。
你喜歡我，我喜歡你，還有什麼做不到的事呢？滿滿的青春懵懂感，那些錯失錯付錯過的選擇，終究是不會再現，但卻沈澱在記憶中，不會褪色的。我們不要分開了。少見的女校題材，光線非常柔軟唯美，台詞戳心，劇本有點狗血。繁中和英文的影名很有內涵。
富家贵族子弟因为年少不知事而犯下了致命的错误……觉得电影人物情感的转变有点不太自然和协调。雷佳妮最后那句“请叫我古驰女士”还有她当时的表情，觉得挺传神的，加1星。
演员都挺好看的，但漫长的150分钟看下来整体给人感觉就是：一地鸡毛。
司机is a eye candy，嘎嘎is not pleasant to watch
感觉看了个Netflix肥皂剧 看不出来是雷导的作品 cast也有点浪费 种马哥哥穿suit是真的可以
我是因为海澜之家看的hhhhhh，有场秀配乐是HowGee为啥我直接想到“嗲宁戴嗲表”。
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