Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
没看1，看完这部也没有看1的欲望了，看在演员份上三星。
看过了目中无人又来看下早前的千里不留行，发现比起目中无人更喜欢这部剧，希望中国的武侠动作电影能够越来越好
很好看！林大卫演的好好！沧桑感和棱角感塑造的太棒了！
没人发现李光洙的角色很像海贼王里的乌索普吗
看完有两个疑问：一是韩孝周怎么这么好看，二是她怎么会在这么个电影里面。
韩孝周与孙艺珍一样同属气质型的女演员，但其古装扮相稍逊于后者，而且并不适合大浓妆。
受尽屈辱的刀客，“十步杀一人，千里不留行。”李白的《侠客行》写的可是大侠，而剧中主角限于北方一县治下的“帮闲”，干的是白吃黑的勾当，配不上诗一样的片名。又干嘛要借鉴水浒林都头蒙冤的戏码，连姓名也不改，打戏不错，可惜没有好剧本。
剧情虽然略显平淡，但是武打实在是非常真实，这段时间算是最好的武侠电影了
把船从漩涡里整出来也只是基操而已
想刀一个人的眼神是藏不住的，剧情有点迷，大卫的命运多舛，被好友背叛，妻女的不理解，陆谦演的很不错“好兄弟”形象深入人心，“你妈的，又捅这里”反派总是死于话多哈哈哈哈
台词听起来好简单+因此配上弹幕一起看
- [ ] 音效绝绝子：何师傅，好听力
三星全是给 又美又飒的韩孝珠，其他没了。。特效虽然过关，但整体剧情逻辑也太敷衍了，权相宇 几年不见，居然只能演配角反派了，惨。。
- [ ] 音效绝绝子：何师傅，好听力
最后海战好像抄了《加勒比海盗3》，不过整体还可以吧，过得去。
近年很不错的武侠电影，值得一看，没有那么多废话、解密，江湖也是生活的一部分，而生活本来就没那么多所谓深层次秘密，很多不快、仇恨也在不经意间就解决（消失）了。
没看1，看完这部也没有看1的欲望了，看在演员份上三星。
欢乐的海盗寻宝行，顺便干翻一票儿奸佞，再收获爱情，那么美妙——只是一点想不通：一帮子海盗，长年累月海上漂，为啥都有一副亮闪闪的好牙齿，他们天天用「黑人」？🥃
喜欢看这种题材的电影，总想着如果我生在那个时代，我也做一个执剑走天涯的侠客
打斗绝了，有这种打斗，我其他的可以忽略，想看打斗的推荐
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