Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
I just love everybody in the holiday rom com is always having champagne problems and it tricks me at this time of the year.
JLo演的每一部电影都是她自己的故事。And I’ve had enough.
不要太苛刻，虽然情节是完全没有任何新意但至少歌好听 梦很美。
是部及格的爱情喜剧片。欧文威尔逊现实生活中不认女儿却总在电影丽演好爸爸，好违和。
当初下载时还叫《和我结婚》，要在内地上映竟然改成这个译名，很奇怪这电影有什么引进的意义，这种《诺丁山》差不多快三十年前的大明星爱上普通离异男的套路都老掉牙了。j.lo虽然在欧美是天后，在中国也没多少人买账吧！欧文威尔逊在中国也就因为成龙混个脸熟，不话痨演个正经角色谁有兴趣？还有看的机翻字幕都完全不影响看懂，可见有多没营养。
奥林巴斯红吉普，浪漫老调听不烦。
两根铁钉都比男女主角有cp感，但确实看得蛮开心的哈哈哈。
天杀的2022还能看到大美女谈恋爱给你看，知足吧你！
cliche的爱情喜剧～电影的歌曲蛮好听的～
剧情太平了（只有我从男主脸上看出了川普吗…
这个时间段，有电影看，也不错，片子平平庸庸，歌倒是不错
J.Lo状态依然在线，但剧情好无趣，歌不难听但总感觉已过时。
这么说吧，看到一半有人退场。
每个转折电感觉都有点生硬，但大部分时候我还是在姨母笑。里面的每一首歌都好好听～
每一次看这种美国家庭喜剧真的就是幸福满满，我们追求的不是最帅的，而是最适合的
美式音乐喜剧，让我坚持看完的理由是编剧会从那个角度切开把男主塞进去。虽然我第一反应就是偷情，但没想到的是很久之前的虽然也算数，但少了些碰撞与动荡。
JLo还是还是很有舞台魅力hhhh剧情没什么想说
画面很漂亮，配乐很好听，女主是以前很喜欢的演员。
三星半。挽救了一下我那个寂寂无聊的周五下班后。
这真的不是根据J Lo和本阿弗莱克的真实时间改编的嘛…
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