The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
一開始以為是孫女和奶奶互相從彼此陌生走向一家親的種田治癒番,後面才發現原來是魔幻題材的降魔除妖篇。
我一直以为,会有结和父亲和解,或者是回家的戏份,居然没有,看来是我落于俗套了
就挺适合我这种玻璃心想看看电影治愈的人!迷途之家简直是个乌托邦的存在!
7.1。因为地震+家庭原因,要战胜由此带来的心魔,不过电影逻辑有点说不下去。
没有多少刻画灾难本体,而将重点放在心理创伤上,以(留在)家园作为手段来治愈家人的伤痛,突出家乡在人们心中无可取替的位置。
除了结尾有点仓促,驱魔那段好短暂😂 我真的好喜欢这种妖怪故事
芦田爱菜总会接到一些冷门题材、奇奇怪怪的作品啊... = =lll
可悲的是动画已没有勇气直面现实灾难,更可悲的是动画想象力的枯竭。
人物和服装设计很像中国人画的耶。。福岛乡村振兴这份钱真没白话。
结尾非常理想化 还顺便宣传了日本的未来群居生活推荐 挺那啥
感觉侧重选错了,我觉得故事侧重围绕灾后重建的一些人性光辉比现在这个神话故事好很多。
还买什么大平层,合租就好年年住新房喽,倒是“牡丹饼再好也吃不下三个”才是真的…
前面还不错,人们如何面对海啸地震家暴带来的伤害,后面就成了莫名其妙的打怪模式,最搞笑的就是这个怪看着声势汹汹,结果吹两声笛子,一次射箭就搞定了,真属于烂尾。
牡丹饼吃不下三个,不贪多,过好当下☘️
剧情上感觉编排混乱,但又确实有些温馨的片子
天海表演没有任何问题,电影本身比较单薄而已
日本人为什么可以把这么单薄的剧情拍得这么有感染力啊!
一部我以为是日常向,结果带奇幻色彩的番
打不打boss已经无所谓了 治愈才是最棒的!
天海啊❤️我的爱!
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