A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
搞笑，很多梗，很多坑，又一个月个的补起来！上次看男主的电影是《城市猎人》
翻译和剧情都很烂，两倍速看完还是觉得浪费时间
实在是对男大宿舍感情戏没兴趣。
不知道是因为我变了吗还是什么，简直是大有玄机啊！一边看柯南一边悟道：
看前，2022了 还有松田正平呢！渋谷特辑。看后，动作片，算ok的啦。5人组可以。
看前，2022了 还有松田正平呢！渋谷特辑。看后，动作片，算ok的啦。5人组可以。
前20分钟的警校5人组段落无论是剧本，演出还是配乐和之后本剧场的主要剧情都压根不是一个水准，5人组那段梦回早年的柯南制作水平，而剧场的核心剧情一如既往的拉胯摆烂，毫无看点… 三星真的给5人组。
给主题曲多加一星🥹高佐和松田阵平都已经是久远的记忆了，刷前推荐复习一下警视厅人质篇。离谱超神部分依旧但确实是柯南比起动作片推理还是适合讲述人情故事。
前半稍平淡，爆点集中在后边，尤其是山寨复仇者联盟大战灭霸的部分能把人笑疯，非常有趣的片子。法国版城市猎人团队的新作，看来以后可以重点关注一下这群人演的片子了。
去之前看到好评所以期待有点高 不过确实及格了 能看出导演的风格真的不同 bgm很出色 有被安室透的逼格装到 以及五人组真的很虐很好哭 高木和佐藤有亲亲
“埋汰”漫威和DC的不搞笑的搞笑片 emmmm一般吧
好看！还拿了海报，不错！松田阵平好帅哦，Zero也是！
有点意外！没那么离谱！不能说非常好看吧，至少比起前面的十多部剧场版，确实高了一截子！！！
哈哈哈实在是太好笑了，今年最酣畅淋漓的喜剧观影体验，我在家里真的笑出了鹅叫😂😂😂疯狂玩梗，讽刺效果点满，某些迪士尼游乐园电影真的要无地自容了，法国的这个喜剧组合真的太天才了，真的不怕华纳迪士尼两家一起陪你打官司吗😂😂😂剧情是简单了点，情节推进是生硬了点，但这不妨碍它很快乐呀，私心给个五星。
铃木园子以及毛利小五郎被ban一集，主角失去免费炸一座大型建筑和排除一个错误答案的机会。安室透出现违反重力的关礼杰行为预警。无法忽视的bug:涉谷没有能联通一个街区的下水道。被前几部足球踢卫星驯化了审美，觉得这部已经很不错了，柯南剧场版还可以就是已经很不错了。
和水岛前辈在台场看的，安室几次大跳跃飞冲，到对面楼和直升飞机，很酷炫。南瓜红蓝混合炸弹！在会场看过上白次的预告，每次出现都心一抖。3年前の11月6日安室さんは……
松田阵平太帅QAQ。没想到十多年前漫画里松田殉职的伏线在剧场版得以回收。情怀！除去最后尴尬的炸涉谷桥段其他都还不错。既然导演都换了那么某些陈腐要素该丢就大胆丢掉吧！谁说柯南剧场版非得安排个大规模灾难才精彩？
《新流量密码·安室透》
有小时候那味儿了 安室透这个男人该死的帅气
名字没起错，真超有超级英雄！！
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