In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sonal film, complete with intertitles, crackly sound-track and 'hand-tinted' colour effects.- Written by Michael Brooke <[email protected]>
7.1 这部真的不太行,路上所有的困难都太刻意了,也是个一路闯关的类型片。主要就是冲着91岁还自导自演的伊斯特伍德看的,希望他和85岁的伍迪艾伦能继续拍下去
老爷子能不能不要再给自己安排感情线了,男主演技简直就是槽点,内个追杀者也可以说是最失败的了。。
其实现在看东木的唯一意义就是看着他一点点老去
好似久违的杨少华讲了一个笑话。一场伊斯特伍德的春梦
本来想给2星的,但是毕竟这么大年级了。从开始给羊看病开始就往很奇怪的方向发展了
It is old-fashioned but surprisingly timely, and its clean, spare style feels classical because it’s fluent and clear-minded. Eastwood seems to be one of the few remaining filmmakers committed to conscientious storytelling.
东木爷爷以90高龄再次自导自演,令人敬佩!影片充满了慈爱,所有戾气都已被岁月埋藏。
老牛仔的浪漫故事,姑且原谅导演又把自己写成万人迷好了
一部温情的西部片,故事简单温和,伍德老爷子一把年纪还这么高产,劳模啊!和小朋友成了忘年交,一路很欢快。
东木91的高龄仍然在拍片,他不知道怎样治愈老去,但每年仍为我们带来一个old school的故事,这就够了。
5 老爷子以一种就是要完成任务的方式结束了电影,尽管有人会不接受,爱谁谁。
想起了不相关的Thomas Cromwell, “Most gracious Prince, I cry for mercy, mercy, mercy."
片子的气质,是晚年的老人的自我感动,脑中剩下对曾经的遗憾和意气风发的回望。
很难相信他老板会找一个这么大岁数的老头来执行这么危险的任务
剧本很烂,老爷子老态龙钟谈不上啥演技,就当风景片看看吧,没什么意思。
哎,真是好失望,以为东木老爷子最后要去一下西部牛仔,结果这个牛仔不硬,也整不动了
看一部少一部了。珍惜吧。
一个老人教会旁人如何温柔地看待老去的故事。
多一星给老爷子面子 其实可以更好 一直以为最后俩人会中枪然后骑马去边境 做成让子弹飞的开放式结局效果 但也很好
饒了老頭吧 講沒幾句就喘成那樣....... 還要他去救你兒子???
Copyright © 2015-2023 All Rights Reserved