The break-up is almost complete: Hannah and Julian meet one more time to hand over their apartment, which they hope will be quick and painless. No such luck, though: The hand-over flops and the two arguing exes are stuck together on New Year's Eve, of all days, after not speaking to each other for weeks. They're long overdue at their friends' party, where they wanted to put in one final appearance together. Seven years ago, Hannah and Julian met while looking for an apartment and became reluctant roommates. She's a career-oriented law student, he's a photographer who lives for the moment. She's always got everything planned out, he never does. The two roommates became an odd but loving couple. While Julian compromises professionally, Hannah climbs the career ladder. Then they started to grow apart and spend their time with other people. At the very low point of their relationship, an unsolved conflict from the past suddenly resurfaces and calles everything into doubt.
她们也曾在我们看不到的地方年轻过，灿烂过，耀眼过。
2020年，妈妈永远地离开了我
那大家就一起捞吧！
过誉了真的。。。大概就是贾玲小品集锦+王牌对王牌煽情套路。
这分数真是绝了，太虚高了。没啥笑点也没啥哭点，唯一感觉演员演的都不错，尤其是张小斐。全国人民给贾玲的情怀买单……还把全国人民都感动了……好无语……
“车里闷”，好，那开敞篷的。只不过是一个人了。
胜在真情实感。电影本身在情节推进、逻辑处理上是有瑕疵的，但对大众而言，影片的感染力与观影时的共鸣感是直接而强劲的。饱满的情感比叙事的技巧更易打动人。
贾玲将私人记忆升华成为大部分观众的共鸣，算得上是很真诚也很投入的电影了。
虽然有点煽情但是不妨碍好笑
《蝴蝶效应》中男主回到过去为了让爱的女孩和母亲生活得更好，尝试了各种方法，最后决定将自己扼死在胎中，不让自己给她们带来痛苦。《李焕英》里晓玲为了让母亲能像琴姨一样有优秀的丈夫和女儿，以及优越的生活，撮合英子和厂长儿子。但英子说“其实我真的很幸福，你为什么总是不相信” 。
国画长卷
你以为你已经很爱很爱妈妈了，但妈妈远比你想象中更爱更爱更爱你
年度催泪大品，笑点哭点都很密集，实在太煽了。
这完全是贾玲拍给自己的作品，不是拍给观众的，充满了个人的执念。
贾玲昨晚的喜剧已经尴尬到我了… 这个导演的电影真的更加尴尬… 还是好好当个综艺咖吧！电影就算了…别伤害影迷的眼睛了…
事实是无论我们贫穷还是富贵，成功还是平凡，她们都会以我们为傲。
什么是打动人的好故事？贾玲做了一个很好的示范，故事本身永远大于技巧。
泼辣，厚实，乡土，生猛。以川剧兴衰的视角折射中国近代史，戏剧式的布局与布景更添一层讽谑面纱，三小时笑看历史与记忆荒腔走板。
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