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Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
剧情中规中矩,老亨利处事果断,枪法稳准,疾恶如仇。动作快,姿势帅。
后现代西部片,细腻、苍凉。比利小子依然神一般存在。
故事简单老套了一点,不拖沓,浓郁的西部风情是我喜欢的。摄影不错但也可能是风景本身太美的原因。
中规中矩。儿子长得也太不像老子了。男主很适合演老比利小子。
搜了一下还真有billy the kid这个人
虽然是故事比较简单,场景也比较单调的一部西部片,但拍的还不错。这个年老单薄的农夫就是江湖传说的比利小子,在关键时刻拔枪射击,以一当十干脆利落。情节最后的反转也让他失去了生命,救了不该救的人,双方原来都不是好人。最后,本不甘于平淡的小儿子也持枪跨马,走出小屋,融入了西部苍茫的天地。
人物塑造相当成功,瘦削干瘪,一个眼角耷拉着。
绕了一圈还是回到原点
悠扬低沉的大提琴声,伴随着广袤荒凉的西部景色,一个简单的故事缓缓拉开序幕。平实的故事和叙述,唯一的小反转就是最后那一枪,不过想到前面他教儿子怎么开枪,那么让儿子开枪的原因就昭然若揭了。很舒服的观影体验!
这实在是一部为老西部片迷献上的电影,无论是压力层层累积直至结尾集中爆发的经典结构,还是中正大气的影像呈现和纯男角的人物组合,都可自然勾连进过往的西部片记忆,而且其为核心情节设置的障眼法,更是瞄准西部片迷的某种自负和盲点,反转效果加倍。剧本主线陈旧但扎实,反转以及反转之后的人物最终落点,则为整个故事引出了属于自己的光彩,传奇终逝,但流淌在血液中的野性和坚韧自会顽强延续。蒂姆·布雷克·尼尔森的演绎很不错挺加分。
镜头,片尾的背景弦乐不错,虽然是寻常的西部题材,但最后老
竟然是比利小子,英雄迟暮永远是个值得表达的题材
美国平民的持枪习惯是有历史依据的,电影不太行。
巜老亨利》是传统复古的西部片。剧中的老亨利年轻时曾是职业杀手,中年后与儿子小亨利隐居乡间养猪为生。在与一群枪劫追钱的匪徒枪战中死在了匪徒枪下。
最后的真实枪战很棒!很想知道老亨利是怎么传奇过?坏人还是好人?
一句话的情节能拍出这种厚重感,这就是基本功。
他以一当十仿佛年轻的模样
Billy the Kid! 有传统西部片的风骨~
即便老了,比利还是那个令人闻风丧胆的比利小子。
没有女人的电影一部。
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