After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
居然直接用本名，那结尾肯定是得救啦！多一星给黄政民
被绑架演员黄政民，凭一己之力，分化瓦解犯罪团伙，救出女人质，生擒匪首，囧。
大明星黄政民本人，怎么也像他电影里的角色一样无所不能呢，看电影的时候确实无法想象这本来是一个普通明星的角色，还以为又是什么战神呢。
还没看过原版，感觉就是个很普通的绑架故事，加了一点明星被绑架的噱头。
黄政民是以真名出演电影最多的演员吧（《舞后》也是）。
不如王千源原版。人物扁平化，为恶而恶。黄政民一个人撑起了整部戏。女绑匪是C罩杯，我喜欢。韩国警察菜的离谱，称的上无能。本片应起名叫:黄政民救黄政民。
逃不过翻拍片魔咒，可以竞争老黄电影里最烂的一部
一般，专程来看黄政民嘞，没想到剧情很一般感觉没咱们好看。
没有原版拍得好 独居老人那段太鸡肋 另 和黄政民一起被绑架的玩过鱿鱼游戏的妹子李瑜美为啥没有名字
有新导演首尾难相顾的通病，新世界的梗抖得倒是还可以
和中国版的各有特点，韩国版习惯了把jc写得弱，基本靠演员自救。我唯一印象深刻的就是那C的胸。
江湖人称“电梯战神”的黑帮大佬黄政民…..被绑架
从哪刨出来的干儿瘦的反派？原来棒子翻牌也有扑的时候。基本上是毫无意义了
西八，西八儿，女绑匪的C杯罩，真是大大大大大大
论此剧本没有人可以超越刘德华和王千源的演技
和原版比起来像干脆换了一个类型，原版玩儿人性心理战，韩版玩爽。胜在精干短小，节奏抓得刚刚好，喜欢配乐的氛围营造。
6.5/10.翻拍自2015年的《解救吾先生》，大框不变，细节差很多。韩版为了更接近真实事件，请了黄政民做主角，让他自己演自己，这一点很不错，黄政民可以对位刘德华的，但韩版反派则远远不如王千源，警察的角色也不行。
片名改了之后连故事的侧重点都改了 解救人质变成了绑匪窝里斗 最后还是自救的 不是警匪片了
拯救黄先生但是各种bug，丢枪什么的，各种疯有点失真了&小姐姐好看
普普通通商业片，用了 解救吾先生 的故事线
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