"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
因为意外死亡而产生的责任与释怀的故事，只能在日本发生了。
对于电影本身，热闹，励志，是一部有童趣有正能量的影片！
这电影把两只熊换了谁还能看出来跟熊出没有什么关系！一个简单的故事加上各大电影经典片段的杂糅
主角是熊二，伴随着熊二的成长，周围人从嫌弃到追捧，也是熊出没周转不变的内容。
7分。卫生巾国的人总是点头哈腰说话不看人看脚的样子真是够了，说话也是半句半句的整，耐不住啊。故事还行，演爸爸的演员演技爆炸，由一开始的蛮横无理到最后的释怀感动演绎得无比生动。
之前某大厂员工加班跳楼的，猝死的，社交媒体都给你封锁，保安都维持秩序不外露。
剧情方面有点跑偏，看了好几年熊出没，视觉和技术一直在进步，横向比较这部综合看值4星，纵向比较大概3星半左右，就国内市场目前的情况，这IP做得确实挺有心的。
紧凑的压抑故事，有时候说不出哪里不对但事情就是无可救药地往坏方向发展了
除了当事人，其他所有人都是空白背景的作画人
和解有的时候确实不是一件容易的事。
3.5，整体还可以的作品，只是选角还可以更好点。。。。。
星星在消失时更加闪耀，死去的已经沉默，而活着的上演续集。
熊二：外星黑科技太上头了，是春节档唯一的3D片，而且还能看
从“肇事”自杀女司机母亲的道歉开始，这片急转直下，太割裂了吧，前半部讲社会问题，后面讲和解与亲情。导演把前面的东西都丢掉了，可观众还在里边呢！
这片子里所有人都在疯狂地すみません，麻了。
嘴上身体上在道歉心里确一片空白。松坂桃李对手戏跟不上寺岛忍。
父亲、母亲、超市老板、店员、肇事司机、老师、同学、记者、媒体及衍生的相关人员，围绕女生被撞事件的众生相。那个中年女店员挺温暖，不虚伪，
夸夸宝，宝被欺负得好惨啊，好可怜喔🥺
现在的儿童看的电影，都是靠着大人电影中经常习以为常的打斗战斗大制作来支撑的么？故事情节和我们儿时看的狮子王，玩具总动员相比差太多了……
只能靠跟儿子的问话来推断——应该是不如上一部《狂野大陆》。
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