The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
叙事和拍摄手法都很熟练。从概念设计到那些奇怪的高端辅助装置，像一场荒诞的讽刺剧，把“艺术来源于不断生造意义和寻求疼痛感”这种理念淋漓尽致地展现给你看。
啊结尾，圣女贞德蒙难记吗..
文艺青年型片子，想看恐怖惊悚的结果看了一堆对话…
欣赏不来，器官恐怖还不如那些纯粹的分尸血浆，到头来难道是个环保片？
挺福柯/德勒兹的，高级sm就是绞刑架下的高潮
有人说，牛比导演的老年作品都是可怕的自恋呓语，还真是这么一回事。
“你要是能睡好觉，你就称不上是一个艺术家。”肿瘤艺术家。
大卫柯南伯格又一次走到了时代前列。
哇看的我真是不明所以全程满脸肌肉抽搐，可能我还是很难欣赏身体恐怖类型的恐怖片。
不懂！
大型环保宣传警示片！人类已经没有什么可破坏的了，开始破坏自己寻求快感，现有的食物已经越来越难以下咽了，人类开始进化出新器官、新消化系统来适应吃塑料垃圾。
大脑体会到的概念，比呈现出的影像好太多，直白一些就是拍得烂，实验了但离实验很远
无论是影像质感上
there is no art in disemboweling people in this movie. the way they take out internal organs is disgusting. you don’t have to literally cut people open to look deep into people.
用艺术和科技伪饰，套用《1984》的壳，最终却是讲环保主义。
话太多了…出字幕再看一遍。比《撞车》更激进一点 讨论了更多一点
#Cannes 75# IMAX重看后确定了还是喜欢。从人类被新事物支配的恐惧到人类被自身进化支配的恐惧，一贯的高概念化。
堆砌概念和绝对柯南伯格的元素，通篇给人一种故弄玄虚的不适感，一种又高潮又没有高潮的感觉。
身体真实终难胜过政治真实，晕目的风光也只被暗陨的凄凉代替。或许改造不等于进化，自然也天生建构不了理想。手术疮疤的反复开闭也只是开闭。
So the future belongs to heavy-breathing, lip-licking orgasm fakers who cut flesh only to feel nothing, duh
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