With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
不过冲着金凯利和刺猬
没有索尼克情怀的人 一开始看还好 后面就。这王者翡翠没借鉴点漫威宝石？最后机器人也太钢铁侠了。我也不知道我怎么看完的
其他，唉╯▂╰。好难看
看不下去，变成超级英雄片了，还是让日本人来拍吧。
看起来很欢乐，双尾妹好乖呀，合家欢动漫，最后彩蛋暗示下一部反派角色，片头片尾想起自己玩游戏的时光
娱乐性比第一部好，热热闹闹简简单单的剧情，感觉小朋友会更喜欢~
除了金凯瑞以外的人类戏份都很多余，起码可以剪掉半小时。
角色在增加 战场越来越大 老是死不了的反派 继续期待第三集
叙事效率非常高，回到了一贯的韩国标准复仇故事，跨国电信诈骗，窝点在中国沈阳，可是中国警方在韩国电影里永远是缺席的面孔，不得不说是一大遗憾。
看都不用看，恶意满满的简介就看出导演的私心了
太好玩了，梗很多，金凯瑞表现真的无敌。最喜欢斗舞和瑞秋杀回去找未婚夫，太有意思了。派拉蒙真有钱啊，视效做得真不错，那毛绒感！期待下3，虽然看上去金凯瑞应该不会再拍了。
SEGA这IP，情怀都有，但故事稀烂。整体制作也没有任何亮点。别有下一部了嗷。
比第一部增加了更多有趣的内容和人物，而第一部的敌我实力完全不平衡的情况在这一部有了极大好转。金凯瑞的反派蛋头博士比主角们还招人喜欢。不过其他的人类角色对剧情贡献就太低了，切掉似乎也无所谓。最终战的时间稍有点短了，能再多打一阵就好了，有点意犹未尽。需要吐槽一个剧情，主角需要守护的东西为何非要去找呢？不找的话，敌人也根本也找不到。。。好多影片都有这个问题。。。鉴于表现比一部要好，多给一颗星吧。
太真實了.................有接過詐騙電話的應該就了解 ~
求金凯瑞别没！！！，第四个hedgehog上场了
给中国一部电视剧都不一定能讲清楚
卞耀汉，铁血真汉子。我就寻思韩国犯罪主题题材咋尽跟中国有关？确实韩国的个人信息泄露和电话zp太严重，还有专门找刚来韩国韩语不利索的留学生帮忙取钱送钱，很多学生被逮着直接进监狱。金武烈表演的那段场景太生动澎湃，实际上韩国的类似chuanxiao公司真的这样打鸡血。
节奏紧张但细节不足，很多人说被骗太简单，但实际上被骗的人都是一些有所求，有欲望，有关心的人受骗。骗子抓住的是一颗太过在乎的心。另外永远不要用钱去衡量人性，因为你还不起。
电诈神剧了，屋里挂几个灯笼就来中国了，这道具组是电诈组赞助的吧哈哈哈哈
总体节奏还是好的
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