Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
直面事实 才能赎罪 JakeGyllenhaal演的很好
报警的时候一句话说清地点人物事件，太重要了。
Why? Because I could.
Jake is a smoothly performant who created the intensity of the film just by himself..
但故事还是没有讲好，警察的心里转变与故事的反转都显得太过突然。
一个优秀的剧本+绝对优秀的表演，还要什么画面，声音即可。镜像投射和共情。
Modern Sorry, Wrong Number.
紧张感做的还不错，吉伦哈尔表演感觉微微过于用力了。
Gyllenhaal自带暴躁警察气质，确实不错
中半部开始掉，越往下看越减分。Considering the pandemic and wildfire was somewhat impressive... #TIFF 2021
节奏有点拖垮，这种片子的节奏应该是让观众一直悬着一口气，可我从始自终气就没怎么提起过
这是多省钱的电影。。。主角全程室内隔着电话BBB
最后说一句，就算是冠以正义之名的罪恶，依然是罪恶
喜欢这样的个人秀，纯演技发挥，没有看过丹麦原作，但并不影响观赏本片，各种配音绝了，都是超强发挥。。。
看一半看不下去，男主是个大傻逼？哪只狗眼睛就看到是爸爸杀人了？就因为人家进过监狱？咋咋呼呼的傻逼，现在看到有哮喘的人设，都不想看，就想直接给差评
7分。丹麦版本的翻拍，没啥新意。一些细节上的修正也没什么特别的。不过Jake Gyllenhaal的表演还是很不错的，基本上，也就是靠他的表演撑起这部小成本片了~~~
就 jake还是有点点表演痕迹 不过勇气可嘉
封闭空间，单一场景，一个主要演员，加上配角不超过五个人，这电影也太省钱了吧。但是男主个性背景交代不清导致整个人物情绪起伏莫名其妙。一会儿咳嗽，一会儿痛苦，一会儿暴躁，好奇怪。铺垫不够，不知道为什么男主对报警电话里的绑架案反应如此强烈，男主的罪行直到电影结束也没有完整交代，也不存在最后留有悬念反转的情节。
看预告片感觉应该是部很好看的悬疑片，实际全片看完感觉很没劲，前半部分差点看不下去
所以伊桑·霍克呢？就吉伦哈尔一个人在那边努力加班，加班就算了第二天还蹲号子了？漂亮国就这样欺负打工人？这电影海报我以为是猩球崛起番外篇呢
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