Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
没有预期收获的就是满满的惊喜啊！舔刀子和翻译两段全场最佳，片尾魏翔的独白跟片中的魏成功在一瞬间呼应了，好笑又感动！
看到一半电影院有人打架，然后场面非常热闹，其中一个女的还在那煽风点火，说我老公弄死你们，对面是一帮高中生or大学生，正好为了逞能，于是他们在为了要不要打架还吵了半天，场面很热闹
在电影院看过的全场笑声最大的喜剧电影！！太值得推荐了太解压！我和猫咪都很爱看！！不知道为什么看之前会有网上影评觉得不好笑 我是杀手卡尔哈哈哈哈 想到又想笑了
哈维尔巴登演的很不错，不过这种片子能得到去年的戈雅奖有点托大了，其他不说，单说像这种老板在天朝活不过3集！
实在理解不了简介谁写的
依旧出彩，老板选角很棒，看表情神态就亦正亦邪，光鲜亮丽和丰功伟绩之下并不代表是一干二净的
烂！！喜剧都没拍好就硬煽情，尴尬得瞌睡都打不起来！！
不像《魔幻时刻》那样聚焦于对电影的热爱，但比原版笑点更密集，和剧情结合紧密，在春节档尤为讨喜。其实并不比麻花其他烂片强太多，只是有了一个好剧版保障了下限。
又让喜剧片给整哭了，当魏翔说出“这是我第一部男主角”的时候，那种心酸我想所有的喜剧人都能体会吧！
作品采取黑色喜剧讽刺的手法，反应富豪对员工的压榨干涉已经到了无所不用其极的地步。
挖掘企业文化的暗面，审视逐利剥削的企业生态；各种荒诞与精心的讽刺之下，还藏着一些不寒而栗的真相。最后老头拿着电钻在老板身后那段，哈维尔表情非常传神，演技相当精湛。
流畅好看的狗血小品，哈维尔巴登是个好演员，生动刻画了一位非常帅的乡村企业家哈哈哈哈哈哈哈
你的老板我的老板好像都一样，喜欢当爹喜欢睡人喜欢锃光瓦亮的虚荣。
和突如其来的煽情戏
资本主义讽刺小品，挺诙谐有趣的，天平工厂，所谓的追求公平，实际上老板是高高在上的那个人，实际上的维护公平其实是利益游戏，7.5/10
好的地方来自三谷幸喜。全片有意要在完全虚构悬空的时空背景中来造一出理想励志童话，但在影视城摄影棚的虚假质感和电影感严重不足的缺陷里，童话世界和现实力量失了真，很令人出戏，还是出两套戏。
原来“好老板”有这么多事情要操心哦，职场pua+伪善，偏偏又将“公平公正”挂在嘴上
换位思考如果自己是老板的话，会不会也这样，老板要善于发现别人的优点，更要利用别人的弱点去牵制，制衡，但不能过于自私败人品，为达目的不择手段，然而这个演员演得让觉得他这么做可以理解，演技太牛了。
春节期间和家人一起看的，孩子乐的哈哈大笑，看完我问他看懂了吗，他说没有。
是的，所谓“成功的企业家”都是这样玩的；要想天平平衡，有时候需要玩的小把戏，比如加一颗子弹。
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