The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate.
The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film.
The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches".
Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.
情节够紧凑，不拖沓，有反转，又有不少西部片的影子。
色彩动人，细节精致。即使不交代老亨利的身份也很好看。
给满分了，非常喜欢西部片，一看开头就知道结尾，但是这个片子还是非常让人惊喜，不输经典，西部片里程上，又一个让人不的不提的一部片子，非常喜欢
节奏有些拖沓了，高潮部分“快准狠”还行，就是爽的过程着实太快
2021.10.28比利小子隐姓埋名被麻烦找上门解决麻烦自己也被解决
虽然我没在江湖，但江湖一直流传着我的传说。
一句话的情节能拍出这种厚重感，这就是基本功。
长枪，旷野，牛仔帽，骑马，血浆，苍凉的音乐，西部片元素齐全。法外狂徒所有的柔情都给了儿子。The world is changing.You go see It’s a place I don’t belong in no more.I’m hoping …..you do.结尾儿子怀亚特向着远处离开的背影好苍凉啊。
老亨利到底是为了钱还是为了救人？这个问题一直困扰着我
荒野伤者携巨款，父子救人招祸端。
后现代西部片，细腻、苍凉。比利小子依然神一般存在。
这是一部节奏很慢的电影，不同于以往的西部电影刻画牛仔精神，快马快枪的感觉。本片情绪是逐渐进阶的过程，所有的张力最终凝结于亨利拔枪的一瞬。片中人物不多，但是各有故事，也阐释了在这片法外之地，以暴制暴的丛林法则！
最近老西部片颇有卷土重来之势，“比利小子”晚年传都来了。柔焦暖色调略不讨喜，精华都在最后半小时，3.5星。
西部片坚硬强悍粗糙的质感 角色像unforgivable里的东木
好久没有。
潮湿的泥土，肮脏的猪圈，衬衫发黄，菜汤易冷。就是这么old school。
熊孩子穿越来的吗 格格不入啊 怎么长大的啊
it's a place I don't belong no more
这才是生活的现实与生命的真实。
非常值得一看~
Copyright © 2015-2023 All Rights Reserved
