Gwen grows up with her romantic mother constantly telling her the story of her courtship and marriage to her father. Nick grows up with an alcoholic father who can't hold a job and whose family, as a result, is forced to move all the time. The two are shaped by this - Gwen a romantic and Nick withdrawn, unsure of himself - as they watch the hugely popular sixties sitcom, "One Big Happy Family." Years later, it is the star of that show, now a child actor gone bad with a history of detox and people always saying, "I thought she was dead," Francesca Lanfield, who connects the two of them, after years of near-misses and almost encounters. Gwen is hired to ghost-write Francesca's autobiography, while Nick, becoming her lover, is the architect who is to design a building on Francesca's property. When Gwen decides to crusade to save Francesca's building, she writes letters to the newspaper which catches Nick's attention - and wins his heart.
姐夫这演技用力过猛…不过总的来说致敬中有所创新 比TV版要好十个泰迦了
有点意思，比小时候看的奥特曼多了不少反转套路。
‘每个人都可以变成光，但孤身一人注定无法闪耀。"在个人英雄主义充斥超英片的时代，这种积极正能量的价值宣传值得肯定。本片在致敬的同时又对致敬对象的主题进行升华。
而且这失去力量再找回的方法也太随便了吧没给人物成长什么帮助。
什么叫反向致敬啊（战术后仰（泽宝yyds
7.0分
大革命时期的傲慢与偏见。
看了一半，还行。
很好看！展现了巴黎报业的迷幻时刻，风格很迷幻，演员很迷人，或可用近来的热词形容：巴洛克，又美又悲酸。
武戏上虽然能看出武居确实努力了，单人打戏拍的有进步，但多人的打戏拍的仍然感觉怪怪的，还是比不上田口和坂本的武戏。
很多的整活和致敬，以及过于多的嘶吼，特利迦rip
额，其实还是很烂，但是和剧版相比之下确实好了一点…
あなたは光であり、人でもある。剣悟、お帰りなさい!
我的评价是，没有迪迦帅。电影还是不错的，我挺喜欢的
姐夫这演技用力过猛…不过总的来说致敬中有所创新 比TV版要好十个泰迦了
也许是2倍速看得漏过太多文戏了，我怎么没看出7.5分来。。。。泽塔和黑暗特利迦明显全程扮猪，直到最后一刻配剧组怒吼完了才变身吃老虎，明明比特利迦帅多了可惜不是自己的主场，甚至之后的戴卡都要更顺眼一点2333
出版业的华尔街的狼，第三幕还不错，前两幕太拖沓了。
特利迦真就奥蓬01呗，tv用脚写剧场用心写剧场，想想确实挺像的一个斯麦路人一个u咩人。
剧场版的文戏和武戏都值得表扬，最后的剧场版主题曲也很好听
新生代剧场版之前只看过令迦那一部，包括这一部，是真的毫无意思啊
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