Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就是喜欢看美国拍的这类电影，体育/真实事件改编/励志/热血
what a story...Defy all the odds...
好一个又可恨、又可怜、又强悍、又脆弱的死老头！瞎眼都能一打10，眼睛睁开了还不得加入《复联》？遗憾的是没有了第一部的紧张气氛，只能当成惊悚动作片来看看。结尾的双重反杀有点意思，男二真是惨啊，被兄弟出卖就算了，还被自己的狗出卖，被自己的狗出卖就算了，还被自己的…… ！！！ 哎不剧透了，你们自己去看，宇宙第一衰男，又好气又好笑！
没有第一部惊艳，但还可以一看，老头尽力了....
还是那个帅气的老头，故事一般，老头不适合个人救赎，还不如直接拍成暴力黑暗系，把老头黑化！小女孩先要被亲身父母弄死，结果小女孩反杀，先砍了妈的手，后捅了爹的背，就连狗都咬背叛自己的主人。这个编剧好样的！
电影就是普通的好莱坞煽情套路，但是唤起当年在圣路易斯公羊得冠的美好回忆实在弥足珍贵
一部算不上续集的续集。上一集需要屏住呼吸才能活下去的设定没了。反转为上级反派老兵孤身战狼的惊悚动作片，当然影片节奏还是挺好的，不冷场持续的紧张刺激的杀戮和逃亡，让人感觉很过瘾。深度不够爽快满点。推荐。
剧情真是各种翻转腾挪，但是真的和第一部的那种惊悚完全是两种概念。第二部完全就是一个爆米花电影，处了暴力血腥血腥完全没有任何看点，完完全全没有一丝惊艳！
橄榄球运动挺man，撞击时的力量感蛮酷蛮热血的，至于励志、传奇或者明星，没什么概念
当然还有背后黑色糜烂的人性
拍摄制作离得前作那么久也就算了，还直接塑造成硬核动作片。动作设计场景有点东西，但故事内核呕。
除了老头和第一部没有任何关系，上一秒还母慈女孝下一秒就要摘心手术，不过以毒贩来说倒也正常，狗狗叛变的也太快了，还留了个进可攻退可守的彩蛋。
相比第一部整体的剧情更加丰满紧凑，虽然脱离了恐怖片的范畴但是仍然值得一个特别推荐
不算恐怖，血浆很足，没有第一部反转更惊奇，老头倒是洗白了，其实结尾让狗跟着女孩一块走了会更好，三星给系列收尾……但感觉好像还是要往下做，怕是要走低
刚看完今年Super Bowl公羊夺冠，顺便看下Kurt Warner这个草根逆袭的励志电影。之前正好看过早安美国采访本人和主演，知道这部电影75%谈的是爱情亲情家庭和生活的挣扎，25%是球场上的比赛故事，想看橄榄球的直接去找比赛集锦就好了，这部电影更多是讲述这样一个从Supermarket走到Super Bowl的传奇四分卫故事。
他怎么变好了？噢，原来他才是好的。卧槽，他是坏的！卧槽，他洗白了！卧槽，他反水了！卧槽？结束了！总体来说，相比于第一部，第二部就是一坨屎
有些行为看似反常其实也是人性的一部分，咱不说放下屠刀立地成佛，但至少善恶一念之间，恶人中总有渴望救赎的的也有永不回头的。看的时候我只是忍不住想警察在哪里，房子都烧了一夜，这么大动静。不过还有个有趣的，我今天对一个人说了那句，不要觉得什么都理所当然，然后这片开头也来了这么一句。巧合带来的惊喜让我一开始就颇为投入，只是剧情发展丢掉了逻辑，瞎子对陌生的环境是不存在战术优势的，断电，埋伏，可信度太低。
PS：雪中奔跑送油去车的那一段真的好emo看得，镜头很漂亮。
一想不到新套路就把惊悚片变成动作片
美国、枪械座头市。生理父亲和养父的父权争夺战，行活。烧房子对盲人的困难模式调到最高。但我没想到母亲会去夺取女儿的心脏，这超乎我这个普通观众的想象。砍刀才能夺回抚养权，砍刀和头脑让盲人获得尊严。
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